the proper direction to travel in the ocean. But the Baudelaires needed a moral compass, which is something inside a person, in the brain or perhaps in the heart, that tells you the proper thing to do in a given situation. A navigational compass, as any good inventor knows, is made from a small piece of magnetized metal and a simple pivot, but the ingredients in a moral compass are not as clear. Some believe that everyone is born with a moral compass already inside them, like an appendix, or a fear of worms. Others believe that a moral compass develops over time, as a person learns about the decisions of others by observing the world and reading books. In any case, a moral compass appears to be a delicate device, and as people grow older and venture out into the world, it often becomes more and more difficult to figure out which direction one's moral compass is pointing, so it is harder and harder to figure out the proper thing to do. When the Baudelaires first encountered Count Olaf, their moral compasses never would have told them to get rid of this terrible man, whether by pushing him out of his mysterious tower room or running him over with his long, black automobile. But now, standing on the Carmelita, the Baudelaire orphans were not sure what they should do with this villain who was leaning so far over the boat that one small push would have sent him to his watery grave.
But as it happened, Violet, Klaus, and Sunny did not have to make this decision, because at that instant, as with so many instants in the Baudelaire lives, the decision was made for them, as Count Olaf straightened up and gave the children a triumphant grin. "I'm a genius!"
he announced. "I've solved all of our problems! Look!"
The villain gestured behind him with one thick thumb, and the Baudelaires peered over the edge of the boat and saw that the CARMELITA nameplate had been removed, revealing a nameplate reading COUNT OLAF, although this nameplate, too, was attached with tape, and it appeared that yet another name-plate was underneath this one. "Renaming the boat doesn't solve any of our problems," Violet said wearily.
"Violet is right," Klaus said. "We still need a destination, a way of navigating, and some kind of nourishment."
"Unless," Sunny said, but Count Olaf interrupted the youngest Baudelaire with a sly chuckle.
"You three are really quite slow-witted," the villain said. "Look at the horizon, you fools, and see what is approaching! We don't need a destination or a way of navigating, because we'll go wherever it takes us! And we're about to get more fresh water than we could drink in a lifetime!"
The Baudelaires looked out at the sea, and saw what Olaf was talking about. Spilling across the sky, like ink staining a precious document, was an immense bank of black clouds.
In the middle of the ocean, a fierce storm can arrive out of nowhere, and this storm promised to be very fierce indeed—much fiercer than Hurricane Herman, which had menaced the Baudelaires some time ago during a voyage across Lake Lachrymose that ended in tragedy.
Already the children could see the thin, sharp lines of rain falling some distance away, and here and there the clouds flickered with furious lightning.
"Isn't it wonderful?" Count Olaf asked, his scraggly hair already fluttering in the approaching wind. Over the villain's nefarious chuckle the children could hear the sound of approaching thunder. "A storm like this is the answer to all your whining."
"It might destroy the boat," Violet said, looking nervously up at the tattered sails. "A boat of this size is not designed to withstand a heavy storm."
"We have no idea where it will take us," Klaus said. "We could end up even further from civilization."
"All overboard," Sunny said.
Count Olaf looked out at the horizon again, and smiled at the storm as if it were an old friend coming to visit. "Yes, those things might happen," he said with a wicked smile. "But what are you going to do about it,