get Alice to come too ..." He went, spring-footed and bursting with energy, back into the house and down the passage towards the kitchen, bellowing for his wife. And Virginia, grateful for directions, stood up and collected her mail and went indoors, obediently, and upstairs to her bedroom to change into a bikini.
2
The solicitors were called Smart, Chirgwin and Williams. At least, those were the names on the brass plate by the door, a plate which had been polished so long and so hard that the letters had lost their sharpness and were quite difficult to read. There was a brass knocker on the door, too, and a brass door knob, as smooth and shining as the plate, and when Virginia turned the knob and opened the door, she stepped into a narrow hall of polished brown linoleum and shining cream paint and it occurred to her that some hard-working woman was using up an awful lot of elbow grease.
There was a glass window, like an old-fashioned ticket-office with INQUIRIES written over it, and a bell to press. Virginia pressed the bell and the window flew up.
"Yes?"
Startled, Virginia told the face behind the window that she wanted to see Mr. Williams.
"Have you got an appointment?"
"Yes. It's Mrs. Keile."
"Just a moment, please."
The window slammed down and the face withdrew. Presently a door opened and the face reappeared, along with a well-upholstered body and a pair of legs that went straight down into sturdy lace-up shoes.
"If you'd like to come this way, Mrs. Keile."
The building which housed the solicitors' office stood at the top of the hill which led out of Porthkerris, but even so Virginia was taken unawares by the marvellous view which leapt at her as soon as she walked into the room. Mr. Williams's desk stood in the middle of the carpet and Mr. Williams was, even now, getting to his feet behind it. But, beyond Mr. Williams, a great picture-window framed, like some lovely painting, the whole jumbled, charming panorama of the old part of the town. Roofs of houses, faded slate and whitewashed chimneys, tumbled without pattern or order down the hill. Here a blue door, there a yellow window; here a window-sill bright with geraniums, a line of washing gay as flags, or the leaves of some unsuspected and normally unseen tree. Beyond the roofs and far below them was the harbour, at full tide and sparkling with sunshine. Boats rocked at anchor and a white sail sped out beyond the shelter of the harbour wall, heading for the ruler line of the horizon where the two blues met. The air was clamorous with the sound of gulls, the sky patterned with their great gliding wings and as Virginia stood there, the church bells from the Norman tower struck up a simple carillon and clock chimes rang out eleven o'clock.
"Good morning," said Mr. Williams, and Virginia realized that he had already said this twice. She tore her attention from the view and tried to focus it on him.
"Oh, good morning. I'm Mrs. Keile, I . . ." But it was impossible. "How can you work in a room with a view like that?"
"That's why I sit with my back to it . . ."
"It's breathtaking."
"Yes, and quite unique. We're often asked by artists if they can paint the harbour from this window. You can see the whole structure of the town, and the colours are always different, always beautiful. Except, of course on rainy day. Now—"his manner changed abruptly as though anxious to got down to workand to waste no more time—"what can I do for you? " He drew a chair forward for her.
Trying to stop looking out of the window and to concentrate on the matter in hand, Virginia sat down. "Well I've maybe come to quite the wrong person, but you see I can't find an estate agent anywhere in the town. And I looked in the local paper for a house to rent, but there didn't seem to be one. And then I saw your name in the telephone book, and I thought perhaps you might be able to help me."
"Help you find a house?" Mr. Williams was young, very dark, his eyes frankly interested in the