The Element of Fire Read Free

beneath his doublet, sweat was sticking the thin fabric of his shirt to his ribs. From the powder flask on his belt he measured out a double charge and poured it into the barrel. He pushed the bullet and wadding down with the short ramrod, thinking that it would be quite ironic if the pistol exploded and ended the matter here.
    Thomas wound and set the spring, carefully aimed the pistol at the top of the archway and fired. The fifty-caliber ball tore through the light ornamental wood and into the body of the plaster statue that had perched up on the opposite side of the arch. Thomas shielded his face as splintered wood and fragments of plaster rained down. A sculpted head, arm, and pieces of a foot thudded to the floor in front of him.
    He climbed the last few steps and stopped at the front of the gallery, which was now wreathed in the heavy white smoke of the pistol's discharge. This next trap wasn't bothering to conceal itself.
    Ponderously the angel statue turned its head toward him and stepped out of its niche in the far wall. Thomas shoved the empty pistol back into his sash and drew the second loaded one, circling away from the angel. It was slow, its feet striking the polished floor heavily, plaster wings flapping stiffly.
    It stalked him like a stiff cat as he backed away. He wanted to save the pistol for whatever was behind the next door, so he was reluctant to fire.
    Then his boot knocked against something that seized his ankle. He fell heavily and dropped the wheellock, which spun across the polished floor and somehow managed not to go off. Rolling over, he saw that the hand and arm of the broken statue had tripped him and was still holding onto his ankle. He drew his main gauche and smashed at it with the hilt. The hand shattered and fell away, but the angel was almost on top of him.
    Scrambling desperately backward, he caught the base of a tall bronze candlestand and pulled it down on the angel. The heavy holder in the top struck the statue in the temple, knocking loose a chunk of plaster. It reared back and Thomas got to his feet, keeping hold of the candlestand. As it lurched toward him again he swung the stand. A large piece of the wing cracked and fell away as the blow connected, and the creature staggered, suddenly unbalanced.
    Past the stumbling statue he saw movement on the stairs. There were dark writhing shapes climbing the steps, dragging themselves upward on the banisters. He backed away, realizing it was the vines that had sprung out of the carpet in the first room. Are they filling the entire house? The situation was horrible enough, it hardly needed that. And he had known he couldn't get out the way he had gotten in, but he had hoped to have the front door as an option. Now that way was blocked. Thomas dropped the candlestand and turned to the other door.
    He pulled it open and one quick glance told him the room seemed unoccupied by statues. He slammed the door closed as the angel lumbered awkwardly toward him, bracing against it as he shoved the bolt home. He stepped back as the thing battered against the other side.
    Moonlight from high undraped windows revealed shelf-lined walls stacked with leatherbound books, most chained to the shelves. It was a large room, crowded with the paraphernalia of both library and alchemical laboratory, quiet except for the erratic tick of several lantern docks. There was a writing desk untidily crammed with paper, and workbenches cluttered with flasks and long-necked bottles of colored glass. It smelled of tallow from cheap candles, the musty odor of books, and an acrid scent from residue left in the containers or staining floors and tabletops. He drew his rapier again and moved around the overladen tables, inbred caution making him avoid the stained patches left by alchemical accidents on the floor. He knew he would have to come back to this house at some point: the desks and cabinets crammed with scribbled papers would undoubtedly hold some of Grandier's secrets,