part to play in completing the scene. He loved it, the way everybody joined forces in one intense moment. There was something magical about it. And an unpredictability. It was impossible to tell what might happen. Often something unexpected would occur, no matter how well he planned the production, going through the script in great detail with everyone involved, spending weeks in advance with the cinematographer and checking out all the film locations. He had to know how the light fell at various times of the day, what sounds they couldcount on hearing, how the site would function in practice for everyone involved. He liked to be well prepared. Only then was there room for spontaneity. Sam Dahlberg had spent years learning these techniques. He loved his job. For him, it was the very heart of his life, giving him the space to breathe. He surveyed the set one last time. Everything was ready. A giddy feeling filled his stomach; everyone was awaiting his signal. All of these people. They were waiting for him and no one else. He cast a quick glance at his assistant director.
‘Quiet. Rolling. Camera.’
The same scene was repeated. In Julia Berger’s defence, it had to be said that even though she might be feeling annoyed, she gave her all every time the cameras rolled – no matter now many takes it took. He admired her professionalism. When they finished the scene, everyone waited in tense silence. Now Sam had everyone’s attention. He hid his face behind a handkerchief and wiped away both the sweat and a few tears that had trickled from his eyes. Then he looked at his colleagues and his face broke into a happy grin.
‘Bloody good job. I think, by God, that we’ve just done the last take on the film. Just a second.’
He motioned for the cinematographer, and together they watched the scene on the monitor, accompanied by some indistinct murmuring. Then they nodded and slapped each other on the back. Everyone waited tensely. Sam raised his eyes.
‘I think we’ve made a movie here.’
A grateful cheer rose from the set. The lead actors, who had just been involved in a fight, embraced each other a bit longer than might be considered purely professional, if anyone from the film crew had bothered to notice. But everybody was busy congratulating each other, hugging and patting one another on the back.
‘Unbelievable,’ exclaimed Sam happily. ‘That’s a wrap. Two months of filming are over. You’ve all been amazing. Now it’s time to celebrate.’
HÅKAN EK LEFT the office early on that Friday afternoon. He had five weeks of holiday ahead of him. He couldn’t remember when he’d been away from his job for so many weeks in a row. If ever. He enjoyed his work as the sales manager for a large electronics company in Visby, but now he felt he needed a holiday.
His mobile beeped before he’d even left the car park. A message from Klara.
Phone me
. He frowned. What now? His daughter from his first marriage was his only real worry. She was a restless young woman who lived in central Stockholm and suffered from an eating disorder. She’d also had problems finding a job and coping with various boyfriends. But Håkan was used to it. By now Klara’s troubles were an inevitable aspect of his life, like a body part that was always tender and needed care.
But his daughter was not his only child from a failed relationship. From his second marriage he had a son who was now in his late teens, but he had little contact with the boy. The divorce had been a painful and long-drawn-out affair. He hardly ever spoke to his second wife, Helena. After they divorced, she and their son had moved in with her parents in Haparanda in the far north. But he was in regular touch with his first wife, Ingrid. Their marriage had fizzled out so many years ago that it felt like another lifetime. After they went their separate ways, it had taken years before she decided to remarry. She said she was very picky. She used to quip that she was used to