The Death List Read Free

hope. There was nothing like a bit of undiluted praise to crank the creative engine.
    After I’d deleted the usual cumshot and cheap drugs spam, I looked at what was left. A brief mail from the reviews editor of one of the lad mags I contributed to. I’d sent him a message begging for work and here he was informing me that my services were not required this month. Great. That went the same way as the spam. Then there was yet another message from WD. I had to hand it to him or her. No, it had to be a guy—he knew too much music and movie trivia. He was as loyal as it got. And as regular. Three times a week for the past two months. I had foolishly made a commitment on my Web site to reply to every message, so I’d kept the correspondence going. But WD had a solicitous way with words and I’d made my feelings about some of the issues he raised clear enough. In short, I’d given him a glimpse of the real me.
    I double-clicked on the inbox icon and went into the file I’d made for WD—giving all my correspondents their own file was another displacement activity that had kept me going for days.
    I ran down the messages, opening some of them. They had started off as standard fan stuff—Dear Matt (hope first name terms are acceptable!), Really enjoyed your Sir Tertius series. Great depictions of Jacobean London. Squalor and splendor, wealth and violence. My favorite is The Revenger’s Comedy. When’s there going to be another one? To which I’d replied, with the deliberate vagueness that I used to cultivate when I had a publishing contract, Who knows, my friend? When the Muse takes me. Dickhead.
    WD was also one of the few people who liked my second series. After writing three novels set in 1620s London featuring “the resourceful rake” Sir Tertius Greville, I’d decided to pull the plug on him. The books had done pretty well—good reviews (sarcasm and irony, always my strong suits, turned a lot of reviewers on); The Italian Tragedy had won an award from a specialist magazine for best first novel; I’d had plenty of radio and TV exposure (admittedly mostly on local channels) and I’d done dozens of bookshop events.
    Then, for reasons I still didn’t fully understand, I had decided that “A Trilogy of Tertius” was enough. I wanted to jump on the bandwagon of crime fiction set in foreign countries. I didn’t know it at the time, but jumping on bandwagons is a talent possessed only by the very brave or the very lucky. I was neither. My choice of country probably didn’t help. WD wrote, Your private eye Zog Hadzhi is a superb creation. Who would have thought that a detective would prosper in the anarchy of post-communist Albania? I particularly enjoyed Tirana Blues. Very violent, though. I suppose you must have seen some terrible things on your research trips out there. I didn’t tell him that I’d never been near the benighted country and that all I knew I’d learned in the local library. No one seemed to realize. The critics were still approving (apart from a scumbag called Alexander Drys who called Zog “an underwear-sniffer”), but sales plummeted from the start. By the time my intrepid hero had defeated the Albanian Mafia in the second novel, Red Sun Over Durres, they were down to a couple of thousand and my overworked editor had declined any further offerings from me.
    I’d known the series was in trouble from the start. There was a strong correlation between falling sales and the number of e-mails from fans. But I hadn’t expected my publishers to deposit me in the dustbin of unwanted authors with such alacrity. After all, they’d invested in me for five books and I was already planning a new departure to get myself back on track. But they were more interested in twentysomethings with pretty faces and, if at all possible, blond hair, rather than a thirty-eight-year-old former music journalist whose looks could at best be described as rugged and whose author photograph had scared more than one