like
Steel
and
Under Milk Wood
and other forgotten masterpieces. It was full of various brilliant producers, who, so far as one can tell, spent most of their time drinking in the George and arguing about whose sports jacket Dylan Thomas had puked over most often.
âWell, like all good things, the department declined and, some time â in the early Sixties it was â it was disbanded. Since then, whenever anyone feels frustrated about the sort of work they are doing or about the general quality of radio programmes, they say, âWhy donât we start up the Features Department again?â As if the clock could be turned back, the invention of television could be ignored, and England could once again become a nation of nice middle-class families sipping mugs of Ovaltine round the beaming bakelite of their wirelesses.â
âI see.â
âThe latest in the long line of people to use this rallying-cry is that gentleman over there ââ She indicated a man in his mid-thirties, dressed in pin-striped suit, bright silk tie and complacent smile. âHis nameâs John Christie. Heâs a BBC career politician.â
âI donât really know what you mean by that.â
âHe is destined for some sort of greatness in the misty upper reaches of Management. His career has been textbook. Out of Oxbridge straight into the African service â I believe he speaks fluent Swahili, though Iâm not quite sure when he gets an opportunity to use it. Then he went to Belfast and worked over there in some administrative capacity . . .â
âAnd thatâs good, is it?â
âOh yes, lots of Brownie points for going to Belfast. The BBC doesnât forget its loyal servants who risk getting blown up in the cause of regional broadcasting. His reward was a post created in Drama Department. Co-ordinator, I think heâs called. Co-ordinator, Drama Department. CDD. The BBC loves initials. But from there heâs destined for greatness. Great greatness.â
âWhat, you mean heâll become editor of some programme or ââ
âGood Lord, no. You are naive. The top jobs in the BBC donât have anything to do with the making of programmes. No, heâll end up as Chief Sales Inhibitor for BBC Publications or in some strange and powerful department like Secretariat.â
âWhat do they do there?â
âGod knows.â
âYou sound pretty cynical about the whole thing; I take it you are not involved in the meeting.â
âBy no means. Iâll be there.â The huge brown eyes looked levelly into his. Even if he could have broken the stare, he didnât think he would have wanted to.
The interruption came from a third party. A blonde girl came up and threw her arms around Steve. She was only a little over average height, but looked huge beside the other. âSteve, look at me â still standing up.â
She carried a fairly empty wine glass and seemed in a state of high excitement. âHave you managed to get any sleep, love?â asked Steve, with a trace of anxiety.
âNo, Iâm held together by alcohol and willpower and sheer animal high spirits.â The way she spoke suggested alcohol might be the dominant partner in the combination.
âCanât you get out of tonight?â
âNo, Iâll be fine.â
Steve remembered Charles. âIâm so sorry. This is Charles Paris. Andrea Gower. She shares a flat with me. Just come back from a weekâs holiday in New York.â
Andrea giggled. âJust back in time for the Wimbledon finals. And Iâm still somewhere up on a cloud over the Atlantic.â
âDidnât you sleep on the flight?â
âNot a wink. I had a drink and another drink and then the movie and then another drink.â
âYou should have got out of todayâs work,â said Steve, âcaught up on some sleep.â
âNo, Iâll do that