The Dead Place
humanity, even its structure became menacing.
    She pushed at the door to Level 8, then held it open for a moment before stepping through, her senses alert. Not for the
    10 first time, Sandra wondered whether she ought to have worn shoes with flatter heels, so she could run better. She fumbled her mobile phone out of her bag and held it in her hand, gaining some reassurance from its familiar feel and the faint glow of its screen.
    This was a night she hadn't intended to be late. A last minute meeting had gone on and on, thanks to endless grand Standing from colleagues who wanted to show off, middle managers who didn't want to be seen to be the first going home. She'd been trapped for hours. And when it was finally over, the Divisional MD had taken her by the elbow and asked if she had a couple of minutes to go over her report. Why hadn't he taken the trouble to read it before the meeting? But then, why should he, when he could eat into her personal time, knowing that she wouldn't say no?
    Her blue Skoda was parked at the far end of Level 8. It stood alone, the colour of its paintwork barely visible in the fluorescent lights. As she walked across the concrete, listening to the sound of her own heels, Sandra shivered inside the black jacket she wore for the office. She hated all these ramps and pillars. They were designed for machines, not for humans. The scale of the place was all wrong - the walls too thick, the roof too low, the slopes too steep for walking on. It made her feel like a child who'd wandered into an alien city. The mass of concrete threatened to crush her completely, to swallow her into its depths with a belch of exhaust fumes.
    And there they were, the footsteps again.
    Sandra knew the car park well, even remembered it being built in the eighties. Some feature of its design caused the slightest noise to travel all the way up through the levels, so that footsteps several floors below seemed to be right behind her as she walked to her car.
    She'd experienced the effect many times before, yet it still deceived her. When it happened again tonight, Sandra couldn't
    11 help turning round to see who was behind her. And, of course, there wasn't anyone.
    Every time she heard .the sound of those footsteps, she turned round to look.
    And every time she looked, there was no one there.
    Every time, except the last.
    Wasn't it Sigmund Freud who said that every human being has a death instinct? Inside every person, the evil Thanatos fights an endless battle with Eros, the life instinct. And, according to Freud, evil is always dominant. In life, there has to be death. Killing is our natural impulse. The question isn't whether we kill, but how we do it. The application of intelligence should refine the primeval urge, enrich it with reason and purpose.
    Without a purpose, the act of death has no significance. It becomes a waste of time, a killing of no importance, halfhearted and incomplete. Too often, we fail at the final stage. We turn away and close our eyes as the gates swing open on a whole new world - the scented, carnal gardens of decomposition. We refuse to admire those flowing juices, the flowering bacteria, the dark, bloated blooms of putrefaction. This is the true nature of death. We should open our eyes and learn.
    But in this case, everything will be perfect. Because this will be a real killing.
    And it could be tonight, or maybe next week.
    But it will be soon. I promise.
    12 Melvyn Hudson had decided to do this evening's removal himself. He liked a fresh body in the freezer at the end of the day - it meant there was work to do tomorrow. So he called Vernon out of the workshop and made him fetch the van. Vernon was useless with the grievers, of course. He always had been, ever since the old man had made them take him on. But at least he'd be where Hudson could keep an eye on him.
    The vehicle they called the van was actually a modified Renault Espace with black paintwork, darkened windows and an HS number plate.

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