nuts. they’re all nuts,
the other guy said. anyhow,
I got my 10 doves.
me too, his buddy said, let’s
go home: we can have them
in the pan
by 2:30.
I taste the ashes of your death
the blossoms shake
sudden water
down my sleeve,
sudden water
cool and clean
as snow—
as the stem-sharp
swords
go in
against your breast
and the sweet wild
rocks
leap over
and
lock us in.
for Jane: with all the love I had, which was not enough:—
I pick up the skirt,
I pick up the sparkling beads
in black,
this thing that moved once
around flesh,
and I call God a liar,
I say anything that moved
like that
or knew
my name
could never die
in the common verity of dying,
and I pick
up her lovely
dress,
all her loveliness gone,
and I speak
to all the gods,
Jewish gods, Christ-gods,
chips of blinking things,
idols, pills, bread,
fathoms, risks,
knowledgeable surrender,
rats in the gravy of 2 gone quite mad
without a chance,
hummingbird knowledge, hummingbird chance,
I lean upon this,
I lean on all of this
and I know:
her dress upon my arm:
but
they will not
give her back to me.
Uruguay or hell
it should have been Mexico
she always liked Mexico
and Arizona and New Mexico
and tacos,
but not the flies
and so there I was
standing there—
durable
visible
clothed
waiting.
the priest was angry:
he had been arguing with the boy
for several days
over his mother’s right to have a
Catholic burial
and they finally settled
that it could not be in
church
but he would say the
thing at the grave.
the priest cared about
technicalities
the son did not care
except about the
bill.
I was the
lover
and I cared but what I cared for
was dead.
there were just 3 of
us: son,
landlady,
lover. it was
hot. the priest waved his words
in the air and
then he was
done. I walked to the
priest and thanked him for the
words.
and we walked
off
we got into the car
we drove away.
it should have been Mexico
or Uruguay or hell.
the son let me out at my
place and said he’d write me about a
stone but I knew he was lying—
that if there was to be a stone
the lover would
put it there.
I went upstairs and turned on the
radio and pulled down the
shades.
notice
the swans drown in bilge water,
take down the signs,
test the poisons,
barricade the cow
from the bull,
the peony from the sun,
take the lavender kisses from my night,
put the symphonies out on the streets
like beggars,
get the nails ready,
flog the backs of the saints,
stun frogs and mice for the cat,
burn the enthralling paintings,
piss on the dawn,
my love
is dead.
for Jane
225 days under grass
and you know more than I.
they have long taken your blood,
you are a dry stick in a basket.
is this how it works?
in this room
the hours of love
still make shadows.
when you left
you took almost
everything.
I kneel in the nights
before tigers
that will not let me be.
what you were
will not happen again.
the tigers have found me
and I do not care.
conversation on a telephone
I could tell by the crouch of the cat,
the way it was flattened,
that it was insane with prey;
and when my car came upon it,
it rose in the twilight
and made off
with bird in mouth,
a very large bird, gray,
the wings down like broken love,
the fangs in,
life still there
but not much,
not very much.
the broken love-bird
the cat walks in my mind
and I cannot make him out:
the phone rings,
I answer a voice,
but I see him again and again,
and the loose wings
the loose gray wings,
and this thing held
in a head that knows no mercy;
it is the world, it is ours;
I put the phone down
and the cat-sides of the room
come in upon me
and I would scream,
but they have places for people
who scream;
and the cat walks
the cat walks forever
in my