where light had fled entirely seemed hazy, almost pale compared to the kind of darkness
that surrounded thema gloom of the spirit. Arcing outward in the perpetual blackness,
fluttering her pennons, she dropped straight down ten thousand fathoms, plummeting,
falling, dreaming, until at length she floated amid a wild, universal hubbub of stunning
sounds, a cloud of confused, disembodied voices, drifting through the hollow
dark. Through that negative plane of terror and chaos, borne on the nightwinds that
whirled about her, buoying and buffeting her, indifferent to the continual whining and
whirring of voices at the edge of nothingness, murmured the hysterical gnatsong of the
damned. She spread her wings and turned in a hot dry thermal, rising to the lip of the
Abyss, to the glazed and dividing firmament beyond which she could not travel. It looked
forbidding, mysterious, like thick ice on a bottomless pool. Like the black face of the
raw glain opal. There, in the heart of nothing, Takhisis banked and glided, aloft on the
current of her own dark strategies.
*****
Behind her another shadow glided relentlessly at a safe distance, its own black wings
extended like those of a giant scavenger, an enormous predatory bird. Takhisis's consort,
Sargonnas, banished into the Abyss along with his powerful mistress, had hidden in the
deepest shadows to observe the same vision billowing out of the darkness. He saw the same
burning city, the collapsing tower, and the elf and the girl and the blue-eyed man whom
they followed.
And the armiesthe irresistible armiesat the outskirts of Istar. Oh, what Takhisis would
not give to destroy this Plainsman hero and his few hundred followers! The upstart rebel
was little more than a gifted escape artist noweluding and fighting the slavers in a
desert that his advisors, his oracles, and his own common sense told him not to leave. But
five years from now, when his strength and judgment had matured, when his numbers had
increased by thousands and he stood at the gates of Istar, liberating the countless slaves
and conquered peoples, his power would be grown so mighty that not even a goddess could
stop him. The salt flats of the southern desert lay a mile from the boundaries of the
Que-Nara's firelight. Called the Tears of Mishakal since the Age of Light, it was an alien
landscape to Plainsmen, to barbarians, even to the nomadic desert bandits who skirted its
edges with muttered prayers to Sargonnas or Shinare. Legends had it that those who strayed
onto the salt flats rarely found their way back, but wandered the faceless landscape
forever. Those same legends claimed that often the unwary traveler was drawn there by the
song of the crystals, the contorted, glassy growths that rose from the heart of the flats,
through which the desert wind chimed a faint, bizarre music. None of the Plainsmen camped
close to the salt flats, nor did the sentries patrol its borders. Its landscape extended
to the blank horizon, as original and pure as it had lain during the Age of Dreams, and
the eyes of the Que-Nara, turned north toward the grasslands and the distant Istarian
threat, failed to notice a stirring in a nearby cluster of crystals, a twisted, sparkling
tree of salt that began to sway and turn. In the blended light of the three moonsthe
white, the red, and the unseen black moon, Nuitari the crystals boiled and blackened, as
though an unbearable heat passed through them, welding facet to adjoining facet until the
branching facets melded and slowly took on a new shape. As faceless as the salt flat,
anonymous and half formed, it was nonetheless human ... Or humanlike. For a moment it
hovered between mineral and life, between salt and flesh, as though something in it warred
between sleep and waking, stasis and movement. Then hands and fingers branched from the
glossy arms, and the features of