without fingers. And that wasn’t all: just as the memory of my hands on her breasts is the memory of my hands holding up the world, so too were the lips that kissed her not my own, but those of someone to whom I was joined, someone who surpassed me in every possible way, and under whose control I was given access to an abundance I would never have had otherwise. Delia’s breasts were delicate and, obviously, small. I remember the sense of intoxication that came over me as I held them, those times they pointed downward, feeling the seed of her nipple in the center of my palm; I had only to lift them to be reminded of how absurdly light they were, like petals. Before stepping inside, Delia had begun to tremble. “It’s the cold, the night air,” she lied. At first I was taken aback, but immediately told myself that if Delia lied, then so must the night, the dew, the stars, and the thistles. A unanimous lie turned into truth. I remember the afternoon I first approached her; before saying a word, Delia looked at me in a way that suggested her response, not in words, but through her disposition. It said something like, “I am completely attentive to whatever you might say, and am determined to respond sincerely.” Her eyes made this promise. She had barely stepped onto the corner of Los Huérfanos when I approached her and she met me in the way I just described, with her transparent gaze. I, who already knew her secret, thought to myself that only a worker could respond that way. The proof of Delia’s earnestness was precisely this: the fact that she was answering me before a question was ever asked.
Earlier, I mentioned the way she would set her foot on the pavement as she got off the bus. Now I’ll describe it: it was like that of someone who spends their life crossing thresholds. The steps on buses, factory gates, the space between cobblestones, fences, doorways, the edge of a path. In her lightness, Delia never seemed able to access the memories she had so carefully gathered; she was there, but she gave the impression of having taken a long time to arrive. I said something above about a psychological border; it’s basically the same thing. Watching her at her workstation, her concentration was obvious, and yet she handled the pieces with a distant, withdrawn air. She situated herself either in a before or an after, but never in that exact moment. The part of the factory to which Delia was most drawn was, precisely, its edge: the perimeter where discarded materials were scattered across the sparse and neglected grass, and where the weary curve of the fence still served as a boundary. The workers would go out there during their breaks to enjoy the space, in search of some distraction. Delia didn’t need to be out there to appreciate it: long before the whistle sounded, she had already mentally taken her place on a large metal crate covered by a brown mat. On sunny days, four or five workers would climb up onto it. The holes in the mat, worn by time, allowed glimpses of the cold shine of metal that had once been meant for another purpose. Delia would start at the crate’s lowest point and work her way up to the highest, conquering the slope. She would picture this before the whistle blew; it was what she did when she drifted off. She’d roll down her sleeves and, thus prepared for the outdoors, head for the perimeter, from where she would look out over the thick, high walls of the workshops that reflected the light like mountains. The slat windows that looked so small from outside filled the interior, as she well knew, with a harsh light, like powerful little suns. As might be expected, the grass grew thicker alongside the crate; as she sat, Delia would dangle her feet among the weeds.
Of all the novels I have read, I can’t recall a single one that has taken the side of truth; at most, a few of them manage to uncover the trace of something concrete, definitive, but this is like the tip of an iceberg,