The Crossings
the tall wiry Indio whose name was Gustavo and many times over the journey she felt his prick harden up against her. He had already had both her and Celine but she guessed he wanted more.
    She wondered if her sister was experiencing the same in front of Fredo, the fat one with the prickly mustache.
    She was sore just about everywhere but especially against the saddle and very thirsty. As they crossed the shallows into Mexico she stayed alert for some means of escape — their horse missing its footing perhaps — but there were none. The Anglo riding point knew his river well. The crossing was smooth and steady.
    When the fourth rider leading the pack horse from the back of which over a dozen chickens dangled reached the other side of the river Gustavo turned and said, Mexico. Is home, no? Why your people leave here?
    She felt no wish to answer him.
    "I see your eyes, little one," he said. "I see the way you fight. You and the sisters, I think you are the same."
    She found it hard to believe that a foul-smelling dog like this had sisters of any kind so she asked him.
    "What sisters?"
    " Las hermanas de Lupo. Las hermanas del diablo . As old as the mountains, little one. As old as the gods are old. Just like you."
    He laughed.
    "You know," he said, "I think maybe they will have to kill you."

    The night was moonless and starless beneath low-lying clouds and she saw the bonfires well before the settlement. There were four fires and as many wooden outbuildings on either side of an old hacienda which had seen better days and as they approached she was surprised and puzzled at how many people these mostly small buildings must have housed within, some of them soldados like the ones they rode with but most of them women, young and dirty and moving listlessly at their various chores, hauling water and wood and cooking and stoking the flames.
    Even before the old crone stepped out of nowhere out of the smoke in front of them she knew there was something very wrong here because many of these women were Anglos — fragile-looking blonde women working side-by-side with Mexican peasant girls and she thought she already knew how this collection had come to be. Some of them wore little more than rags and some what appeared to be castoff dance-hall costumes badly torn and wore grotesque amounts of makeup on their bruised filthy faces perhaps to shame them and some were clearly ill and staggered under the burden of their toil. She heard moans and laughter and from somewhere a muffled scream.
    Then the old hechicera stepped out of the smoke billowing around them and her fears for their safety in this place turned to something more akin to dread.
    As old as the hills?No , she thought. But old enough. Unknowably old .
    Beneath the black concentric circles painted across her cheeks and chin and the black crescent moons which hollowed the eyes burning up at them and the black slashings across the lips and nose, her skin hung off her face like slugs crawling. She wore some kind of thin gown, ragged and nearly transparent so it was possible to see her withered layered flesh beneath and the dugs with their huge dark nipples pointed down toward the earth. Her hair was long and matted and she smelled of brimstone and rotted blood. On her head was the sunbleached hollowed-out skull of a coyote, its top row of teeth still intact.
    The coyote's grin seemed to match her own.
    In each of her hands she held a living rattlesnake gripped below the heads which twisted writhing around her arms. At the sight of these or perhaps the smell of her the horses shied and whinnied and tried to move away.
    Gustavo removed his hat to her. The Anglo Ryan merely nodded as they passed.
    Still amazed by this apparition Elena turned in the saddle and saw two younger women step up beside her, these both middle-aged, she thought, each dressed in black. One was bone-thin and hard-looking, grim and expressionless, clean and neat. The other stocky, with cruel peasant's

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