spiritual consultation
let my world be defined by my skin and the color of my people
for we         spirit to spirit         will embrace this world
The centrality of race and gender in Giovanniâs poetry is evident throughout this volume, which brings together all of the poetry she published between 1968 and 1999. Especially in her later poetry, African American history becomes an important focus. A notable example is the powerful âBut Since You Finally Asked,â which was written to commemorate the tenth anniversary of the slave memorial at Mount Vernon. The initial public readingof this poem at the Mount Vernon ceremony was accompanied by a deluge of rain, and to the participants gathered on the slope overlooking the Potomac River nature itself seemed to join in mourning the âmany thousand gone.â Giovanniâs poem recounts the history of African people brought to America in chains, who were never âaskedâ¦what we thought of Jamestown,â never told ââWelcomeââ¦âYouâre Homeâ.â The poem juxtaposes the ideals expressed in the Declaration of Independence and the Constitution to the realities of life for Black Americans, the only Americans, the poem suggests, who have actually believed in and tried to practice those idealsâwhich were never intended to include them. Brutally enslaved, denied their humanity, erased from history, Black Americans âdidnât write a constitutionâ¦we live one.â Echoing words from the Negro National Anthem (âLift Every Voice and Singâ), Giovanni concludes the poem with a celebration of the courage, integrity, and generosity of her people.
This poem makes clear why Nikki Giovanni continues to be so well loved: she is the definitive âpoet of the people.â The significant body of work collected here will allow readers to follow her development as a poet and a thinker. More than anything, this collection dramatizes Giovanniâs dynamism, her refusal to continue journeying down familiar poetic paths, her commitment to growth and change. To borrow from her own words in âStardate,â we might well say that this is not just a collection of poems but âa celebration of the road we have traveledâ¦[and] a prayerâ¦for the roads yet to come!â
â VIRGINIA C. FOWLER
July 1995
Chronology
 1943 Born Yolande Cornelia Giovanni, Jr., on June 7 in Knoxville General Hospital, Knoxville, Tennessee, the daughter of Yolande Cornelia (1919â) and Jones âGusâ Giovanni (1914â82), and the sister of Gary Ann (1940â), aged two years, nine months. Knoxville is the home of Giovanniâs maternal grandparents, John Brown (1887â1962) and Emma Louvenia Watson (1898â1967). In August the family of four moves to Cincinnati, Ohio, home of her father, where her parents take jobs as houseparents at Glenview School, a home for Black boys. The children and their mother make frequent visits to their grandparentsâ home in Knoxville throughout their childhood. At some point during Giovanniâs first three years, her sisterâfor reasons no one really understandsâbegins calling her Nikki.
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 1947 The family leaves Glenview and moves briefly to Woodlawn, a suburb of Cincinnati. Giovanniâs father teaches at South Woodlawn School and works evenings and weekends at the YMCA. Because Woodlawn has no elementary school for Black children, Gary lives with her fatherâs half brother and his wife, Bill and Gladys Atkinson, in Columbus, Ohio, where she attends second grade.
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 1948 The family moves to a house on Burns Avenue in nearby Wyoming, another suburb of Cincinnati. Giovanni begins kindergarten at Oak Avenue School, where her teacher is Mrs. Elizabeth Hicks; her sister enters third grade there.
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 1949â52 Giovanni completes the first, second,