study or creative work.
Prince Corum then decided to abandon his symphony, on which he had been working for the past four years. Perhaps he would take it up again on his return, perhaps not. It was of no great consequence.
The Second Chapter
Prince Corum Sets Forth
And so, with the hooves of his horse hidden by the white mist of the morning, Prince Corum rode out from Castle Erorn to begin his quest.
The pale light softened the lines of the castle so that it seemed, more than ever, to merge with the great high rock on which it stood, and the trees that grew beside the path down which Corum rode also appeared to melt and mingle with the mist so that the landscape was a silent vision of gentle golds and greens and grays tinged with the pink rays of a distant, hidden sun. And, from beyond the rock, the sea, cloaked by the mist, could be heard retreating from the shore.
As Corum reached the sweet-smelling pines and birches of the forest a wren began to sing, was answered by the croak of a rook, and both fell silent as if startled by the sounds their own throats had made.
Corum rode on through the forest until the whisper of the sea dimmed behind him and the mist began to give way before the warming light of the rising sun. This ancient forest was familiar to him and he loved it, for it was here he had ridden as a boy and had been taught the obsolete art of war, which had been considered by his father as useful a way as any of making his body strong and quick. Here, too, he had lain through whole days watching the small animals that inhabited the forest—the tiny horselike beast of gray and yellow which had a horn growing from its forehead and was no bigger than a dog; the fan-winged gloriously colored bird that could soar higher than the eye could see and yet which built its nests in abandoned fox and badger sets underground; the large, gentle pig with thick, curly black hair that fed on moss; and many others.
Prince Corum realized that he had almost forgotten the pleasures of the forest, he had spent so long inside the castle. A small smile touched his lips as he looked about him. The forest, he thought, would endure forever. Something so beautiful could not die.
But this thought put him, for some reason, in a melancholy mood and he urged his horse to a somewhat faster gait.
The horse was glad to gallop as fast as Corum desired, for it also knew the forest and was enjoying the exercise. It was a red Vadhagh horse with a blue-black mane and tail, and it was strong, tall, and graceful, unlike the shaggy, wild ponies that inhabited the forest. It was mantled in yellow velvet and hung about with panniers; two spears; a plain, round shield made of different thicknesses of timber, brass, leather and silver; a long bone bow; and a quiver holding a good quantity of arrows. In one of the panniers were provisions for the journey, and in another were books and maps for guidance and entertainment.
Prince Corum himself wore a conical silver helm which had his full name carved in three characters above the short peak—Corum Jhaelen Irsei—which meant Corum, the Prince in the Scarlet Robe. It was the custom of the Vadhagh to choose a robe of a distinctive color and identify themselves by means of it, as the Nhadragh used crests and banners of greater complication. Corum wore the robe now. It had long, wide sleeves, a full skirt that was spread back over his horse's rump, and it was open at the front. At the shoulders was fixed a hood large enough to go over his helmet. It had been made from the fine, thin skin of a creature that was thought to dwell in another plane, forgotten even by the Vadhagh. Beneath the coat was a double byrnie made up of a million tiny links. The upper layer of this byrnie was silver and the lower layer was of brass.
For weapons other than bow and lance, Corum bore a long-hafted Vadhagh war-axe of delicate and intricate workmanship, a long, strong sword of a nameless metal manufactured on a different