when the Commissioner approached the Agency.”
Mary was startled. “He didn’t know…?”
Felicity shook her head. “No. The fact that we’re an all-female agency is still very much a secret.”
“I’ve always wondered, Mrs Frame: how do you manage to keep that secret when you meet with clients?” Mary asked the question timidly. Felicity was generally more forthcoming than Anne, but perhaps this was too nosy – a look into the inner workings of the Agency.
Felicity grinned again. “In several ways. We correspond by post a great deal; in meetings, Anne or I sometimes appear in the guise of a clerk or secretary representing the head of the Agency; and, when required, I make a rather convincing man.”
Mary bit back a gasp. Felicity was tall and curvy, with a beautiful and distinctly feminine face. Picturing her in a cravat and beard required more imagination than Mary possessed. Surely Anne Treleaven, a thin, austere-looking woman in her middle thirties, would make a more plausible man?
“To return to the point,” said Anne, “the job requires an agent who can pass unnoticed on a building site; however, we know very little about its practical realities.” She paused. “We could, I suppose, have declined the assignment…” The look she shot Felicity was ripe with meaning.
“But we didn’t,” said Felicity firmly, “for a number of excellent reasons I shan’t enumerate now. The point is, no grown man could plausibly work on a building site without a trade or any general experience. And it would be exceptionally difficult for a grown woman – me, for example – to pass as a teenaged apprentice. The difference in costume between a gentleman and a working man is quite unforgiving.” Felicity sounded wistful.
“The Agency has no expertise in exclusively male environments,” said Anne quietly. Again, that current of tension flashed between the two managers.
Felicity leaned forward. “We’ve two choices: to post an agent near the building site – for example, working in a neighbouring pub or shop, or selling food on the street; or to find an agent who can pass as a relatively young boy, beginning his first job as a builder’s assistant.”
Mary blinked. “I see.” And she did – perhaps rather more than she wanted. There was a strange, hollow feeling in her chest that she didn’t care to analyze.
Anne leaned forward and fixed Mary with a steady gaze. “Before Mrs Frame goes into further detail, I shall ask the usual question: do you wish to learn more? Or will you decline the assignment?” It was disconcerting how Anne sometimes read her thoughts so accurately. “You may take a day to consider.”
Anne’s gentle tone – the more remarkable because her voice was normally so clipped – made Mary bristle defensively. “There is no need. I accept the assignment.” Her voice was almost angry.
Anne looked at her carefully. “You are certain? I need not remind you that it is unwise to take on an assignment unless you are fully prepared, both physically and mentally.” She laid a subtle emphasis on the last word. “If you—”
“I’m fine.” Mary interrupted her for the first time ever. In the past, she had always been too much in awe to be so rude. “Please – tell me what the assignment will involve. I’ll perform whatever tasks you set.”
There was a short silence, during which Anne and Felicity again exchanged quick looks. Mary clenched the edge of her wooden chair and willed the tight feeling in her chest to vanish.
Finally, Felicity cleared her throat. “You will disguise yourself as an eleven- or twelve-year-old boy taking on his first job at a building site. The position will be forgiving of your lack of experience. Your task is to uncover information pertinent to the death of Mr Wick, as well as to the possible causes of injury and delay on the site. This includes an investigation into the ghost stories, which may or may not have a basis in fact.
“You will
Sara Zarr, Tara Altebrando