something, an irrevocable, physical fact, defining and complementing our metaphysical condition. Being a minority in both caste and class, we moved about anyway on the hem of life, struggling to consolidate our weaknesses and hang on, or to creep singly up into the major folds of the garment. Our peripheral existence, however, was something we had learned to deal with—probably because it was abstract. But the concreteness of being outdoors was another matter—like the difference between the concept of death and being, in fact, dead. Dead doesn’t change, and outdoors is here to stay.
Knowing that there was such a thing as outdoors bred in us a hunger for property, for ownership. The firm possession of a yard, a porch, a grape arbor. Propertied black people spent all their energies, all their love, on their nests. Like frenzied, desperate birds, they overdecorated everything; fussed and fidgeted over their hard-won homes; canned, jellied, and preserved all summer to fill the cupboards and shelves; they painted, picked, and poked at every corner of their houses. And these houses loomed like hothouse sunflowers among the rows of weeds that were the rented houses. Renting blacks cast furtive glances at these owned yards and porches, and made firmer commitments to buy themselves “some nice little old place.” In the meantime, they saved, and scratched, and piled away what they could in the rented hovels, looking forward to the day of property.
Cholly Breedlove, then, a renting black, having put his family outdoors, had catapulted himself beyond the reaches of human consideration. He had joined the animals; was, indeed, an old dog, a snake, a ratty nigger. Mrs. Breedlove was staying with the woman she worked for; the boy, Sammy, was with some other family; and Pecola was to stay with us. Cholly was in jail.
She came with nothing. No little paper bag with the other dress, or a nightgown, or two pair of whitish cotton bloomers. She just appeared with a white woman and sat down.
We had fun in those few days Pecola was with us. Frieda and I stopped fighting each other and concentrated on our guest, trying hard to keep her from feeling outdoors.
When we discovered that she clearly did not want to dominate us, we liked her. She laughed when I clowned for her, and smiled and accepted gracefully the food gifts my sister gave her.
“Would you like some graham crackers?”
“I don’t care.”
Frieda brought her four graham crackers on a saucer and some milk in a blue-and-white Shirley Temple cup. She was a long time with the milk, and gazed fondly at the silhouette of Shirley Temple’s dimpled face. Frieda and she had a loving conversation about how cu-ute Shirley Temple was. I couldn’t join them in their adoration because I hated Shirley. Not because she was cute, but because she danced with Bojangles, who was
my
friend,
my
uncle,
my
daddy, and who ought to have been soft-shoeing it and chuckling with me. Instead he was enjoying, sharing, giving a lovely dance thing with one of those little white girls whose socks never slid down under their heels. So I said, “I like Jane Withers.”
They gave me a puzzled look, decided I was incomprehensible, and continued their reminiscing about old squint-eyed Shirley.
Younger than both Frieda and Pecola, I had not yet arrived at the turning point in the development of my psyche which would allow me to love her. What I felt at that time was unsullied hatred. But before that I had felt a stranger, more frightening thing than hatred for all the Shirley Temples of the world.
It had begun with Christmas and the gift of dolls. The big, the special, the loving gift was always a big, blue-eyed Baby Doll. From the clucking sounds of adults I knew that the doll represented what they thought was my fondest wish. I was bemused with the thing itself, and the way it looked. What was I supposed to do with it? Pretend I was its mother? I had no interest in babies or the concept of motherhood. I
Rebecca Lorino Pond, Rebecca Anthony Lorino