unrelated to any of his skills,something that only an unworldly old manâand he perhaps getting senileâcould have imagined that a police officer could solve. But at least he had an immediate objective. He was moving, even if reluctantly, back into a world in which human beings had problems, worked, loved, hated, schemed for happiness, and since the job he had determined to relinquish would go on despite his defection, killed and were killed.
Before he turned again to the car his eye was caught by a small clump of unknown flowers. The pale pinkish white heads rose from a mossy pad on top of the wall and trembled delicately in the light breeze. Dalgliesh walked over and stood stock still, regarding in silence their unpretentious beauty. He smelt for the first time the clean half-illusory salt tang of the sea. The air moved warm and gentle against his skin. He was suddenly suffused with happiness and, as always in these rare transitory moments, intrigued by the purely physical nature of his joy. It moved along his veins, a gentle effervescence. Even to analyse its nature was to lose hold of it. But he recognized it for what it was, the first clear intimation since his illness that life could be good.
The car bumped gently over the rising track. When some two hundred yards further on he came to the summit of the rise he expected to see the English Channel spread blue and wrinkled before him to the far horizon and experienced all the remembered disappointment of childhood holidays when after so many false hopes, the eagerly awaited sea still wasnât in sight. Before him was a shallow rock-strewn valley, criss-crossed with rough paths, and to his right what was obviously Toynton Grange.
It was a powerfully built square stone house dating, he guessed, from the first half of the eighteenth century. But the owner had been unlucky in his architect. The house was an aberration, unworthy of the name of Georgian. It facedinland, north-east he estimated, thus offending against some personal and obscure canon of architectural taste which, to Dalgliesh, decreed that a house on the coast should face the sea. There were two rows of windows above the porch, the main ones with gigantic keystones, the row above unadorned and mean in size as if there had been difficulty in fitting them beneath the most remarkable feature of the house, a huge Ionic pediment topped by a statue, a clumsy and, at this distance, unidentifiable lump of stone. In the centre was one round window, a sinister cyclops eye glinting in the sun. The pediment debased the insignificant porch and gave a lowering and cumbersome appearance to the whole façade. Dalgliesh thought that the design would have been more successful if the façade had been balanced by extended bays, but either inspiration or money had run out and the house looked curiously unfinished. There was no sign of life behind the intimidating frontage. Perhaps the inmatesâif that was the right word for themâlived at the back. And it was only just three-thirty, the dead part of the day as he remembered from hospital. Probably they were all resting.
He could see three cottages, a pair about a hundred yards from the Grange and a third standing alone higher on the foreland. He thought there was a fourth roof just visible to seaward, but couldnât be sure. It might be only an excrescence of rock. Not knowing which was Hope Cottage it seemed sensible to make first for the nearer pair. He had briefly turned off his car engine while deciding what next to do and now, for the first time, he heard the sea, that gentle continuous rhythmic grunt which is one of the most nostalgic and evocative of sounds. There was still no sign that his approach was observed; the headland was silent, birdless. He sensed something strange and almostsinister in its emptiness and loneliness which even the mellow afternoon sunlight couldnât dispel.
His arrival at the cottages produced no face at the window,
Carol Gorman and Ron J. Findley