no cassock-clad figure framed in the front porch. They were a pair of old, limestone single-storeyed buildings, whose heavy stone roofs, typical of Dorset, were patterned with bright cushions of emerald moss. Hope Cottage was on the right, Faith Cottage on the left, the names comparatively recently painted. The third more distant cottage was presumably Charity, but he doubted whether Father Baddeley had had any hand in this eponymous naming. He didnât need to read the name on the gate to know which cottage housed Father Baddeley. It was impossible to associate his remembered almost total uninterest in his surroundings with those chintzy curtains, that hanging basket of trailing ivy and fuchsia over the door of Faith Cottage or the two brightly painted yellow tubs still garish with summer flowers which had been artfully placed one each side of the porch. Two mushrooms, looking mass-produced in concrete, stood each side of the gate seeming so cosily suburban that Dalgliesh was surprised that they werenât crowned with squatting gnomes. Hope Cottage, in contrast, was starkly austere. There was a solid oak bench in front of the window serving as a seat in the sun, and a conglomeration of sticks and an old umbrella littered the front porch. The curtains, apparently of some heavy material in a dull red, were drawn across the windows.
No one answered to his knock. He had expected no one. Both cottages were obviously empty. There was a simple latch on the door and no lock. After a secondâs pause he lifted it and stepped into the gloom inside to be met with a smell, warm, bookish, a little musty, which immediately took him back thirty years. He drew back the curtains andlight streamed into the cottage. And now his eyes recognized familiar objects: the round single-pedestal rosewood table, dull with dust, set in the middle of the room; the roll-top desk against one wall; the high-backed and winged armchair, so old now that the stuffing was pushing through the frayed cover and the dented seat was worn down to the wood. Surely it couldnât be the same chair? This stab of memory must be a nostalgic delusion. But there was another object, equally familiar, equally old. Behind the door hung Father Baddeleyâs black cloak with, above it, the battered and limp beret.
It was the sight of the cloak that first alerted Dalgliesh to the possibility that something was wrong. It was odd that his host wasnât here to greet him, but he could think of a number of explanations. His postcard might have gone astray, there might have been an urgent call to the Grange, Father Baddeley might have gone into Wareham to shop and missed the return bus. It was even possible that he had completely forgotten the expected arrival of his guest. But if he were out, why wasnât he wearing his cloak? It was impossible to think of him in summer or winter wearing any other garment.
It was then that Dalgliesh noticed what his eye must have already seen but disregarded, the little stack of service sheets on top of the bureau printed with a black cross. He took the top one over to the window as if hoping that a clearer light would show him mistaken. But there was, of course, no mistake. He read:
Michael Francis Baddeley, Priest
Born 29th October 1896 Died 21st September 1974
R.I.P. Buried at St. Michael & All Angels,
Toynton, Dorset
26th September 1974
He had been dead eleven days and buried five. But he would have known that Father Baddeley had died recently. How else could one account for that sense of his personality still lingering in the cottage, the feeling that he was so close that one strong call could bring his hand to the latch? Looking at the familiar faded cloak with its heavy claspâhad the old man really not changed it in thirty years?âhe felt a pang of regret, of grief even, which surprised him by its intensity. An old man was dead. It must have been a natural death; they had buried him quickly enough. His death
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