personality, and because her abilities, whatever her disadvantages, included a clear written hand and a moderate speed at the typewriter, and because whatever was given Elizabeth to do, if she understood it, was done. If she took any pride in anything, it was in the fact that everything about her was neat, and distinct, and right in a spot where she could see it. Her desk and her letters were squarely arranged; she came to the museum each morning at the hour she had been told to come, taking always the same bus to work and hanging up her coat and hat where they belonged; she wore always the dark dresses and small white collars which her aunt assumed were proper for an office worker, and when it came time to go home Elizabeth went home.
No one at the museum had stopped to think that driving an enormous hole through one side of Elizabethâs office might be unhealthy for Elizabeth; no one at the museum had mused, slide rule in hand, âNow, letâs see, this shaft down the building ought to pass somewhere close to Miss Richmondâs left elbow; will it, I wonder, trouble Miss Richmond to find one wall gone?â
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On Monday, just before noon, Elizabeth took her letter out of the drawer of her desk and put it into her pocketbook; she meant to read it again at lunch. It had nagged her during the morning, with an odd urgency; it was somehow most pleasantly personal, and not at all the sort of thing she was used to. Over her sandwich in the drugstore she read it again, investigating the handwriting, and the paper, and the wording; the most exciting thing about it was probably its lingering familiarity. It did not distress her because she could not conceive of someone imagining it, and taking a pen and a sheet of paper and writing it, and putting it into an envelope addressed to Elizabeth at the museum; it was an act of intimacy from a stranger impossible to picture. Sitting in the drugstore Elizabeth touched the badly written words with her finger and smiled; she had very definite plans for this letter: she meant to take it home and put it into a box on the top shelf of her closet with another letter.
Although the museum people spent the greater part of their own time in hammering and measuring and patching, it was generally felt that the presence of carpenters and bricklayers repairing the building was out of place during museum hours, and so as Elizabeth left the building as usual at four oâclock, she met the carpenters coming in. It was of no importance to anyone at the museum, and of little significance to the carpenters, but as Elizabeth passed them in the hallway she smiled and said to them, âHello, there.â She went into the street, blinking in the sunlight because she still had her headache, stepped onto the usual bus, sat looking out of the window until she reached her own stop, stepped down from the bus, and walked the half block to her auntâs house. She unlocked the door with her key, glanced at the hall table to see if her aunt had left any message, and into the living room to see if her aunt had got home, then went upstairs to her own room, where she hung her hat and coat carefully in the closet, took off her good shoes and put on sensible slippers, got a chair to stand on to reach the closet shelf, and took down the red cardboard valentine box which had held chocolates on her twelfth birthday. She carefully set the box down on her bed, put the chair back where it belonged, and sat down on the bed with the box. Before she opened it she took the new letter out of her pocketbook and read it again, then folded it and slipped it back into its envelope, addressed so untidily to miss elizabeth richmond, owenstown museum. Then she opened the box and took out the other letter inside; this one was substantially older. It had been written seven years before by Elizabethâs mother and it read, âRobin, donât write again, caught my Betsy at the letters