The Best of Joe R. Lansdale Read Free

The movie came on late one night, on one of the three television stations available back then, one only available when the weather was
    a certain way and you held your mouth right and shifted your nuts to one side while you turned the antennae by hand.
    I snuck into the living room to watch it, and it scared the bejesus out of me, didn’t scar me, but tattooed me with deep, bright imagination ink leaking all the colors of the rainbow, and within the colors were dollops of delightful fear, sort you can get away from with the coming of sunlight, the passing of day, the immersion into something else. I liked this sensation.
    I’ve seen the movie since, and it’s still cool, but what’s really good is the first twenty minutes or so, and the last few minutes. The middle minutes, with the aliens is a little less terrifying than I remember. Now I see the zippers and the men from Mars look a lot like guys in suits, and the master mind, a telepathic, tentacle-sprouting head in a jar, is like a sad octopus battling depression. And, of course, there’s a portion lifted from what looks like an ad for the National Guard. Back then we believed the U.S. military could whip anybody and anything, including a bunch of zipper-suited Martians and their tentacle-headed leader.
    Still, I love that movie. The power of the mind is great, and there was less to compare it to. No fantastic
Star Wars
effects and beyond, just simple suggestion and shadow. And now that I think about it, the film was in color, and yet it had a magnificent hint of noir about it, a surrealistic edge that seeps into my work a lot of the time.
    Later on, a little older, I was hit the same way by the original black and white
Invasion of the Body Snatchers
, one that time doesn’t damage, but in fact, makes creepier.
    Wow! Got to get my breath. The memories are like arrows tipped with nostalgia, shooting straight through the heart.
    Mt. Enterprise didn’t have a library, though one was founded shortly before we moved, partly due to the interest of local women, like my mother, and the kind donation of someone with actual money. But before the library, there were only the occasional books given to me, or loaned to me, or on rare occasions, bought for me, due to their lack of availability in a town so small. There was the Bible, and I read it from cover to cover, and loved it, but realized rather quickly, like the Greek mythology I loved even more, it was nothing more than fantastic stories. Wonderful in their own way, but religion… I was suspicious, and by the time I was seventeen, having read the Bible from cover to cover numerous times, loving the lilt of the language in the same way I love Shakespeare, it was pretty clear to me that there wasn’t much reality in those pages. I liked the use of violence and horror and morality play, but for me it was a lot less fascinating and satisfying than the works of Homer. The old blind guy could tell a tale of foul and wounded and imperfect people and gods with the best of them. Better than the Bible. Better than Shakespeare. Homer, he was the bomb.
    I lived inside of books — Hardy Boys and Nancy Drew, loaned me by a lady across the street — and moved about in them, as if they were living tissue and I was their aching guts. I was especially fond of Saturday mornings, which for a kid is the magic day. I would get up early on Saturdays, and nothing was more disappointing than sleeping late, losing that wonderful day of the week. I’d jump up and my mother would fix me eggs and toast, and sometimes bacon, and I’d watch things like
Fury
, a story about a horse and the boy who loved him, or better yet, serials like
Flash Gordon
or
Buck Rogers
, both starring Buster Crabbe, with different hair shades. And best of all, Tarzan. I came to love Tarzan as much as Batman.
    There were many Tarzans, but Johnny Weissmuller was my favorite, hands down. But I’d take any Tarzan I could get. Gordon Scott, Buster Crabbe (yep, same guy who