Trouble.” The former examines the choices of a privileged young woman living in Haiti, while the latter explores the devastating effects of infidelity and war on a small-town family. These are unfamiliar characters living through very familiar circumstances. The reader is innately drawn in—who didn’t rebel against their parents during those wonderfully arrogant teenage years of life? And what person hasn’t had the realization that their parents, once so heroic and infallible in their childhood eyes, are just normal people perfectly capable of making their own bad choices? “That night, I couldn’t say I loved my mother, or Bill, or my father, who had gone without saying a word to me,” writes Martin. “I could only say that I felt sorry for them—sorry for all the trouble they’d found—and I felt sorry for Connie, who didn’t deserve to be on the other side of that trouble. It would be a while before I’d be able to say that I didn’t deserve it either.” These stories offer real, poignant portraits without ever veering into the maudlin or melodramatic.
I’m confident that you’ll enjoy reading these stories (and so will Jack), and I have no doubt we’ll be seeing a few of them adapted for the big screen in years to come. Of course, it would be nice for as many people as possible to read these stories before that happens, but there’s a bright side to Hollywood’s hunger for short stories. It means that as long as authors keep writing with such vividness and ingenuity, we’ll reap the benefits of having fantastic stories available to us both on screen and on paper.
J AMES P ATTERSON
DOUG ALLYN
The Snow Angel
FROM
Ellery Queen’s Mystery Magazine
I SMILED WHEN I saw the dead girl. Just for a moment. Reflex, I suppose.
In Kabul, I once clawed through a busload of bodies after a bomb blast, desperately seeking any sign of life. Didn’t find it.
As a Detroit cop, I saw victims almost daily, and even after transferring home to Valhalla, on Michigan’s North Shore, I’ve seen more corpses than I care to.
But never one like this.
The teenager was sprawled on the snow-covered lawn, her honey-blond hair wreathing her face like a halo. She was surrounded by lighted holiday figures, a laughing Santa in his sleigh, eight wire-framed reindeer, gaily winking and blinking. The girl’s white satin gown was dusted with ice crystals that reflected the flickering LEDs, making her glitter like the display’s centerpiece.
A snow angel.
The scene was so perfect, it almost looked posed, like the girl had dozed off in the middle of a photo shoot for a Hallmark card.
She hadn’t, though.
Her face and lips were a pale pastel blue, her brows and lashes rimed with frost.
In her last moments, she’d thrashed about, striving to rise. To live. But the bone-deep cold sapped her strength. She slipped into an icy coma and then away, leaving her body centered in the image her struggles had created.
A perfect snow angel.
And at first glance, I couldn’t help smiling. Instinctively reacting to the scene. Who doesn’t love a snow angel?
My partner, Zina Redfern, caught my smile and gave me an odd look. I turned away, trying to morph my grin into a wince. I doubt she bought it. Zina is short, squared-off, and intense. All business. Raven-haired, with dark eyes and a copper complexion, she favors Johnny Cash black on the job. Slacks, boots, and nylon jackets. If she owns a dress, I’ve never seen it. Her heritage is First Nation. Anishnabeg. But she’s a sidewalk Indian, grew up tough in Flint’s east-side gangland. She’s a solid partner, but not an easy read.
“Who called this in?” I asked.
“Mail lady,” Zina said. “She dropped a package at the house around eight this morning. Spotted the girl on her way in, took a closer look on the way out. Called 911. Van Duzen caught the squeal, found the girl. He pounded on the front door but nobody answered. He thought he’d better wait for us.