with people; on the way back he visited Momâs grave. Heâs in the kitchen, his face grappling for control, when I come in. âWeird, when you think about it. Sheâll spend more time in that one place than anywhere else.â
âNow look whoâs getting all deep,â I say to smooth the unease of his confession, but all he does is curl his lip, and say, âPrick.â
Dad saunters in as Adam goes out.
Dad in one of his talkative moods. âWill.â
âDad.â
Itâs genetic.
Heâs wearing the green sweater Mom gave him last Christmas. He doesnât like it muchâbeing so tall, he says it makes him look like a tree. Weâre all tall, a skyscraper family. At least in that sweater he looks as if heâs got someone taking care of him. Wonder how long thatâll last. âSo, whose house are we going to?â I ask.
âRayâs.â
âWhoâs Ray?â
âHe was at the wake,â says Dad, heading into the hall.
I follow. âDonât remember him.â
âHe was with his wife and daughter.â Dad flattens his hair in the mirror. Mom always did that for him. âI told you about him. He used to go out with your mom.â
âWeâre having dinner with Momâs ex?â
They say loss does strange things.
âWell, sort of. He was also a friend of mine.â
âWhy donât I know them?â
âIt was a long time ago, before you were born.â
Adam comes in wearing an ironed shirt. He checks out my old jeans and a T-shirt Mom bought me. At least Adam dresses himself. âIâm meeting some friends for dinner.â
âWhat about Rayâs?â Dad asks.
âIâm not coming. I donât even know them.â Adam rakes his fingers through his hair in front of the hall mirror. He looks at his watch then back at Dad. âTom Wallace is picking me up in about ten minutes. You remember Tom.â
âYes, I think so. You drive, Will, you need the practice. Not long till you go for your license now.â
Dad drops the keys into my hands and heads out the front door.
âNice work,â I say, nudging past Adam.
âWhat?â He raises his eyebrows and goes back to realigning his hair, his reflection blocking mine, except for a slice of my head. He is my brother but he is closed to me.
If I had my notebook Iâd write:
3. Why do some get to live, and others die?
Rayâs house is yellow. Below the knocker, thereâs a sticker, We acknowledge the Wurrundjeri people as the traditional owners of this land . A political front door. They canât be friends of Dadâs. It opens.
âRay, how are you?â
âGood, thanks, Michael. Come in. And you must be Will,â says Ray, shaking my hand. Heâs much thinner than Dad. His gray hair is pulled back into a ponytail and heâs wearing a black shirt. I manage a smile as he takes us through to the living room. The walls are crowded with paintings and framed posters, the coffee table full of homemade dips and stuff. The whole house has a congested feel.
âSo, Will. Are you still studying?â
âYeah. Iâm in Year 12.â
His ponytail brushing his shoulders, Ray gives Dad a knowing look. âSo youâve got exams coming up soon?â
âMmmm,â I nod, recognizing one of the postersâitâs of the South American guy from that movie, the one where he becomes a revolutionary after crossing the continent on a motorcycle.
âTaryn!â calls out Ray, and she runs in. I canât believe it; itâs the girl from the dream. The one who wore white to the wake. âYou remember Michael, and this is Will.â
âHi,â she says, her tooth resting on her lip.
âHi.â The taste of chocolate in my mouth. I focus on that poster. Che, thatâs who he is, Che Guevara, the certainty of his name helping to keep the blood out of my cheeks. But