attractive—but sharp. Those big camel’s eyes gleamed with intelligence. The long, thin mouth equaled determination. Perhaps he was a bit pompous in his bearing and manner, but he wasn’t soft. No, she was certain instinctively that Adam Haines would be hard as nails.
She’d like to do him in bronze, she mused. The straight nose, the sharp angles and planes in his face. His hair was nearly the color of deep, polished bronze, and just a tad too long for convention. She’d want to capture his air of arrogance and authority. But not now!
Sighing, she moved her shoulders. Behind her back, Fairchild grinned. When she turned back to him, he was studiously intent on his clay.
“He’ll want to come up here, you know.” Despite the soot, she dipped her hands in her pockets. They had a problem; now it had to be dealt with. For the better part of her life, Kirby had sorted through the confusion her father gleefully created. The truth was, she’d have had it no other way. “It would seem odd if we didn’t show him your studio.”
“We’ll show him tomorrow.”
“He mustn’t see the Van Gogh.” Kirby planted her feet, prepared to do battle on this one point, if not the others. “You’re not going to make this more complicated than you already have.”
“He won’t see it. Why should he?” Fairchild glanced up briefly, eyes wide. “It has nothing to do with him.”
Though she realized it was foolish, Kirby was reassured. No, he wouldn’t see it, she thought. Her father might be a little…unique, she decided, but he wasn’t careless. Neither was she. “Thank God it’s nearly finished.”
“Another few days and off it goes, high into the mountains of South America.” He made a vague, sweeping gesture with his hands.
Moving over, Kirby uncovered the canvas that stood on an easel in the far corner. She studied it as an artist, as a lover of art and as a daughter.
The pastoral scene was not peaceful but vibrant. The brush strokes were jagged, almost fierce, so that the simple setting had a frenzied kind of motion. No, it didn’t sit still waiting for admiration. It reached out and grabbed by the throat. It spoke of pain, of triumph, of agonies and joys. Her lips tilted because she had no choice. Van Gogh, she knew, could have done no better.
“Papa.” When she turned her head, their eyes met in perfect understanding. “You are incomparable.”
By seven, Kirby had not only resigned herself to their house guest, but was prepared to enjoy him. It was a basic trait of her character to enjoy what she had to put up with. As she poured vermouth into a glass, she realized she was looking forward to seeing him again, and to getting beneath the surface gloss. She had a feeling there might be some fascinating layers in Adam Haines.
She dropped into a high-backed chair, crossed her legs and tuned back in to her father’s rantings.
“It hates me, fails me at every turn. Why, Kirby?” He spread his hands in an impassioned plea. “I’m a good man, loving father, faithful friend.”
“It’s your attitude, Papa.” She shrugged a shoulder as she drank. “Your emotional plane’s faulty.”
“There’s nothing wrong with my emotional plane.” Sniffing, Fairchild lifted his glass. “Not a damn thing wrong with it. It’s the clay that’s the problem, not me.”
“You’re cocky,” she said simply. Fairchild made a sound like a train straining up a long hill.
“Cocky? Cocky? What the devil kind of word is that?”
“Adjective. Two syllables, five letters.”
Adam heard the byplay as he walked toward the parlor. After a peaceful afternoon, he wondered if he was ready to cope with another bout of madness. Fairchild’s voice was rising steadily, and as Adam paused in the doorway, he saw that the artist was up and shuffling again.
McIntyre was going to pay for this, Adam decided. He’d see to it that revenge was slow and thorough. When Fairchild pointed an accusing finger, Adam followed its