The Argonauts

The Argonauts Read Free

Book: The Argonauts Read Free
Author: Maggie Nelson
Ads: Link
time to learn about your son’s face in mute repose: big almond eyes, skin just starting to freckle. And clearly he found some novel, relaxing pleasure in just lying there, protected by imaginary armor, while a near stranger who was quickly becoming family picked up each limb and turned it over, trying to find the wound.
    Not long ago, a friend came over to our house and pulled down a mug for coffee, a mug that was a gift from my mother. It’s one of those mugs you can purchase online from Snapfish, with the photo of your choice emblazoned on it. I was horrified when I received it, but it’s the biggest mug we own, so we keep it around, in case someone’s in the mood for a trough of warm milk or something.
    Wow , my friend said, filling it up. I’ve never seen anything so heteronormative in all my life .
    The photo on the mug depicts my family and me, all dressed up to go to the Nutcracker at Christmastime—a ritual that was important to my mother when I was a little girl, and that we have revived with her now that there are children in my life. In the photo I’m seven months pregnant with what will become Iggy, wearing a high ponytail and leopard print dress; Harry and his son are wearing matching dark suits, looking dashing. We’re standing in front of the mantel at my mother’s house, which has monogrammed stockings hanging from it. We look happy.
    But what about it is the essence of heteronormativity? That my mother made a mug on a boojie service like Snapfish? That we’re clearly participating, or acquiescing into participating, in a long tradition of families being photographed at holiday time in their holiday best? That my mother made me the mug, in part to indicate that she recognizes and accepts my tribe as family? What about my pregnancy—is that inherently heteronormative? Or is the presumed opposition of queerness and procreation (or, to put a finer edge on it, maternity) more a reactionary embrace of how things have shaken down for queers than the mark of some ontological truth? As more queers have kids, will the presumed opposition simply wither away? Will you miss it?
    Is there something inherently queer about pregnancy itself, insofar as it profoundly alters one’s “normal” state, and occasions a radical intimacy with—and radical alienation from—one’s body? How can an experience so profoundly strange and wild and transformative also symbolize or enact the ultimate conformity? Or is this just another disqualification of anything tied too closely to the female animal from the privileged term (in this case, nonconformity, or radicality)? What about the fact that Harry is neither male nor female? I’m a special—a two for one , his character Valentine explains in By Hook or By Crook .
    When or how do new kinship systems mime older nuclear-family arrangements and when or how do they radically recontextualize them in a way that constitutes a rethinking of kinship? How can you tell; or, rather, who’s to tell? Tell your girlfriend to find a different kid to play house with , your ex would say, after we first moved in.
    To align oneself with the real while intimating that others are at play, approximate, or in imitation can feel good. But any fixed claim on realness, especially when it is tied to an identity, also has a finger in psychosis. If a man who thinks he is a king is mad, a king who thinks he is a king is no less so .
    Perhaps this is why psychologist D. W. Winnicott’s notion of “feeling real” is so moving to me. One can aspire to feel real, one can help others to feel real, and one can oneself feel real—a feeling Winnicott describes as the collected, primary sensation of aliveness, “the aliveness of the body tissues and working of body-functions, including the heart’s action and breathing,” which makes spontaneous gesture possible. For Winnicott, feeling real is not reactive to external stimuli, nor is it an identity. It is a sensation—a sensation that spreads. Among

Similar Books

Dark Sins and Desert Sands

Stephanie Draven

The Lying Game

Sara Shepard

The Eskimo Invasion

Hayden Howard

Making the Play

T. J. Kline