incurious,
but he has his work. It is he who decides
which limbs get lopped off
in the city of the dead.
You can fall a long way in sunlight.
You can fall a long way in the rain.
The ones who donât take the old white horse
take the evening train.
4.
Today his body is consigned to the flames
and I begin to understand why people
would want to carry a body to the riverâs edge
and build a platform of wood and burn it
in the wind and scatter the ashes in the river.
As if to say, take him, fire, take him, air,
and, river, take him. Downstream. Downstream.
Watch the ashes disappear in the fast water
or, in a small flaring of anger, turn away, walk back
toward the markets and the hum of life, not quite
saying to yourself There, the hell with it, itâs done.
I said to him once, when heâd gotten into some scrape
or other, âYou know, you have the impulse control
of a ferret.â And he said, âYeah? I donât know
what a ferret is, but I get greedy. I donât mean to,
but I get greedy.â An old grubberâs beard, going gray,
a wheelchair, sweats, a street personâs baseball cap.
âIâve been thinking about Billie Holiday, you know
if she were around now, she âd be nothing. You know
what I mean? Hip-hop? Never. She had to be born
at a time when they were writing the kind of songs
and people were listening to the kind of songs
she was great at singing.â And I would say,
âYou just got evicted from your apartment,
you canât walk and you have no money, so
I donât want to talk to you about Billie Holiday
right now, okay.â And he would say, âYou know,
Iâm like Mom. I mean, she really had a genius
for denial, donât you think? And the thing is,
you know, she was a pretty happy person.â
And I would say, âShe was not a happy person.
She was panicky, crippled by guilt at her drinking,
and she was evasive to herself about herself,
and so she couldnât actually connect with anybody,
and her only defense was to be chronically cheerful.â
And he would say, âWorse things than cheerful.â
Well, I am through with those arguments,
except in my head, and not through, I see, with the habitâ
I thought this poem would end downriver downriverâ
of worrying about where you are and how youâre doing.
Â
Â
V ARIATIONS ON A P ASSAGE IN E DWARD A BBEY
A dune begins with an obstacleâa stone, a shrub, a log,
anything heavy enough to resist being moved by wind.
This obstacle forms a wind shadow on its leeward side,
making eddies in the currents, now fast, now slow, of the air,
exactly as a rock in a stream causes an eddy in the water.
Within the eddy the wind moves with less force and less velocity
than the airstreams on either side, creating what geologists call
the surface of discontinuity. And it is here that the wind
tends to drop part of its load of sand. The sand particles,
which hop or bounce along the earth before the wind,
begin to accumulate,
creating a greater eddy in the air currents
and capturing still more sand.
Itâs thus a dune is formed.
viewed in cross section, sand dunes display a characteristic profile.
on the windward side the angle of ascent is low and gradualâ
twenty to twenty-five degrees from the horizontal. on the leeward side
the slope is much steeper, usually about thirty-four degreesâ
the angle of repose of sand and most other loose materials.
The steep side of the dune is called the slip face
because of the slides
that occur as sand is driven up the windward side
and deposited on or just over the crest.
The weight of the crest
eventually becomes greater than can be supported by the sand beneath,
so the extra sand slumps down the slip face
and the whole dune
advances in the direction of the prevailing wind, until some obstacle
like a mountain intervenes.
This movement, this grand slow march
across