because Merv Allen knew diddly squat didn’t count much for winning at games. Merv Allen wanted to beat the game and he would, Papa predicted, because Merv knew that defining the adversary, keeping things to yourself, and letting go of pre-conceived ideas always revealed the weak link, the upper hand, the checkmate.
“Tell everyone you can see right through them,” I’d beg Papa. “It’ll be such a hoot!”
“Ah, Elyse, mein Liebling,” my grandfather would always answer the same way, “you are again not paying attention. I will tell you one more time: I am right only with myself. You must understand I win only in my own mind. Siehst du? When you are right with yourself, it is not necessary to tell the whole world what you think you know.”
Which was the hardest part of playing games, the part I didn’t particularly cotton to, this having to keep one’s brilliance all to one’s self. Not that I would’ve wanted in a million years to be like Betty Harris, yakking people up and boring them silly, and being so dense as to not even know I was doing it. No, what I really wanted was to beat everybody at their own games, but I wanted to do it nicely, like Papa always did. And then I wanted to tell my opponents I’d been on to them since their opening moves. Not to be snotty.
But just because I could.
My mother’s most prized possession was an upright piano she’d bought secondhand. She played beautifully, self-taught, and on those real hot Sacramento nights when we threw the whole house open and let in the smell of jasmine, I sat on Papa’s lap, on our old mohair couch, head against his chest, watching my pretty mother smile and laugh; listening to her music, to Aunt Rose leading our company in singing off-key, and to my grandfather’s heartbeat, taking in deep gulps of his smell, content as if I had good sense.
Looking back, I can’t help wondering if any part of me had sensed that contentment was fickle, coming and going at whim.
I don’t remember the exact night my second daddy joined in on the music, blowing his trumpet, accompanying Mother on piano. I called him Uncle Francis back then. I called all Mother and Aunt Rose’s friends Uncle or Aunt Something-or-other. I still have snapshots from that time, the kind that look as if they’ve been edged with pinking shears, and there’s one of me with Francis, taken after he stopped being my uncle and became my daddy. I know it was taken before Francis became my daddy, because we’re both smiling.
Which meant Francis’ nerves were not yet shot.
Papa loved teasing my grandmother until she hollered; and although he told her stories like he did with me, the stories he told her had more cuss words in them. Grandma, though, could keep up with Papa in the cussing department. When Papa begged Grandma not to smoke, she told him to shut the fuck up, that if she didn’t smoke she’d only get fatter. She was a nurse who worked the hospital graveyard, so with her patients mostly asleep, she wasn’t on her feet much—and Grandma was gargantuan, I’ll give you that. Fat as Papa was slender—but the nice part about being gargantuan, I thought, was that the skin on a fat person’s face stayed near as fine and smooth as Bean’s butt. Fat people didn’t get wrinkly like regular people.
My aunt, who worked in a nightclub, wasn’t nearly as fat as Grandma, but she had Grandma’s same smooth, lovely skin. And when Grandma and Aunt Rose sat at our kitchen table in those early morning hours, in nightgowns, unwinding after working all night, before going to bed to sleep the day away, hair up in pin curls, big bosoms hanging loose and low, playing cards, smoking and hollering, my mother was the one who stood out. Which wasn’t just because my mother was reed-slender with nice high bosoms, or that she was invariably dressed to the nines—and I mean invariably— or that her long dark hair was always just so . No, it was because my mother had beautiful