Granite was better at warding off the plant, but even that gave root eventually.
Even so, the Keshian copper mines remained in my mind, much as they likely remained in the deep bramble forest, a dream of survival, if only we could puzzle it out. And so now, from memory, I sought to reconstruct the conditions of Kesh in the environs of my workshop, experimenting with the natural interactions of flora and ore, seeking that singular formula which had stalled bramble in its march.
The door closed behind Pila. I felt again for Jiala’s pulse. It was nearly gone. The drug of bramble has been used by assassins and thwarted lovers. Its poison produces an overwhelming sleep that succumbs to deeper darkness. It squeezes the heart and slows it until blood flows like cold syrup, and then stops entirely, frozen, preserving a body, sometimes for years, until rats and mice and flies burrow deep and tear the body apart from within.
And now bramble’s poisonous threads covered Jiala’s skin. I took a copper rod and ran it over her arms. Then touched mint to her flesh. With a pair of brass pincers, I began plucking the threads from her skin. Setting them in a pottery bowl beside me so that I wouldn’t carelessly touch them myself. Working as quickly as I could. Knowing that I couldn’t work fast enough. There were dozens of them, dozens and dozens. More coated her clothing but they didn’t matter. Her skin was covered. Too many, and yet still I plucked.
Jiala’s eyelids fluttered. She gazed up from under heavy lashes, dark eyes thick with bramble’s influence.
“Do I have enough?” she murmured.
“Enough what, child?” I continued plucking threads from her skin.
“Enough… seeds… to buy back my bed.”
I tried to answer, but no words came. My heart felt as if it was squeezed by Halizak’s Prison, running out liquid and dead.
Jiala’s eyes closed, falling into the eternal sleep. I frantically felt after her heart’s echo. A slow thud against my fingertip, sugar syrup running colder. Another thud. Thicker. Colder. The sluggish call of her heart. A longer pause, then…
Nothing.
I stumbled away from my dying girl, sick with my failures.
My balanthast lay before me, all its parts bubbling and prepared. In desperation, I seized it and dragged it over to my dying daughter. I aimed its great brass bell at her inert form. Tears blurred my vision. I swept up a match, and then… paused.
I don’t know why it came to me. It’s said that the Three Faces of Mara come to us and whisper wisdom to us in our hour of need. That inspiration comes from true desperation and that the mysteries of the world can be so revealed. Certainly, Mara is the seed of life and hope.
I knelt beside Jiala and plucked a strand of hair from her head, a binding, a wish, a… I did not know, but suddenly I was desperate to have something of hers within the workings of the balanthast, and the bramble, too. All with the neem and mint… I placed her hair in the combustion chamber, and struck the match. Flame rose into the combustion chamber, burning neem and mint and bramble and Jiala’s black hair, smoking, blazing, now one in their burn. I prayed to Mara’s Three Faces for some mercy, and then twisted the balanthast’s dial. The balanthast sucked the burning embers of her hair and the writhing threads of bramble and all the other ingredients into its belly chamber.
For a moment, nothing happened. Then blue flame exploded from the bell, enveloping Jiala.
Wake up, papa.
Wake up.
Wake.
Up.
Dim echoing words, pokes and proddings.
Wake up, Papa.
Papa?
Papa papa papapapapapa.
I opened my eyes.
Jiala knelt over me, a haziness of black hair and skinny brown limbs and blue skirts. Blurred and ethereal. Limned in an uncertain focus as light bound around her. A spirit creature from within the Halls of Judgment. Waiting for Borzai the Judge to gather her into his six arms, peer into her soul, and then pass her on to the Hall of