Sweet Filthy Boy Read Free

Lola and Harlow are out within minutes, and the familiar string of Harlow’s sleep-mumble starts. Lola is almost shockingly silent and still. She buries herself so completely in her bedding, I remember wondering when we were younger if she somehow disappeared into the mattress during sleepovers. There are times I actually consider checking for a pulse.
    But across the hall, a party rages.
    The heavy bass of music rattles the light fixture hanging above me. Male voices rumble across the empty space separating the rooms; they shout and laugh, have their own little cacophony of whoops and man-sounds going on. A ball hits a wall somewhere in the distance, and although I can only identify a few unique voices in the mix, they’re making enough noise that I can’t believe the entire suite isn’t full of drunk boys tearing up a weekend in Vegas.
    Two a.m. passes the same: I’m staring at the ceiling, growing somehow both more awake and more asleep. When three hits, I’m so irritated, I’m ready to be the Vegas buzzkill just so I can get a few hours of sleep before our early spa appointments.
    I slip out of bed, being quiet so I don’t wake my friends, before laughing at the absurdity of my caution. If they’ve slept through the ruckus across the hall, they’ll sleep through me padding quietly across a carpeted floor, grabbing a room key, and slipping out of our suite.
    I pound my fist on the door and wait, chest heaving with irritation. The noise barely dips, and I’m not sure if I can pound hard enough for them to even hear me. Raising both fists, I try again. I don’t want to be that person—in Vegas complaining about people being joyful—but my next stop is calling hotel security.
    This time the music dies down and footsteps slap on the tile just in front of the door.
    Maybe I expect some older, sun-bleached trust fund douche to answer, a bunch of middle-aged investment bankers visiting for a weekend of debauchery, or a roomful of fratty guys drinking shots out of a stripper’s belly button. But I don’t expect it to be him, the guy from across the bar.
    I don’t expect him to be shirtless, wearing black boxers that hang so low on his tanned stomach that I can see the soft trail of hair, lower.
    I don’t expect him to smile when he sees me. And I most definitely don’t expect the accent when he says, “I know you.”
    “You don’t,” I say, completely steady, if a little on the breathless side. I never stutter in front of friends or family anymore and only rarely in front of strangers I’m comfortable with. But right now my face feels hot, my arms and legs prickling with goose bumps, so I have no idea what to make of my completely stutterless words.
    If possible, his smile grows, blush deepening, dimple taking center stage, and he opens the door wider, stepping out toward me. He’s even better looking than he seemed from across the room, and the reality of him immediately fills the doorway. His presence is so huge I step back as if I’ve been pushed. He’s all easy posture, eye contact, and beaming smile as he leans close, and playfully studies me.
    Being a performer, I’ve seen magic like his before. He may look like any other human, but he has that elusive quality that would force every pair of eyes to track him onstage, no matter how small his role. It’s more than charisma—it’s a magnetism that can’t be taught or practiced. I’m only two feet away from him . . . I don’t stand a chance.
    “I do know you,” he says with a little tilt of his head. “We met earlier. We just haven’t exchanged names yet.” My mind searches to place his accent before I trip into understanding: he’s French. The asshole is French. It’s diluted, though. His accent is soft, mild. Instead of curling all of the words together he spreads them out, carefully offering each one.
    I narrow my eyes, forcing them up to his face. It’s not easy. His chest is smooth and tan and he has the most perfect nipples I’ve