skipping school.
I remember the poblaciones , shantytowns, and the kids who never went to school or who begged for money in front of the shopping centers and cafés where my mamá and abuelos used to take me. People shouldnât have to live like that , Papá used to sayâwords that could get a person beaten up and arrested on the street or in their home in those days.
Smog hides the mountaintops, but I see two large hills in the middle of the city and a lot of modern high-rise buildings near one of them.
I point to the tallest of the steel-and-glass buildings. âIs this one new?â
âBrand-new. The one under construction will be a condominium.â The booms of a pair of cranes kiss an unfinished buildingâs steel frameâtwelveâfifteen stories high.
Even the highways are modern, just like the ones in Chicago or Milwaukee, but most of the cars and buses here are a lot older. Their tailpipes spew smoke.
âThis might look more like Madison, from what your father says.â Exiting the highway, my aunt drives along tree-lined streets through a neighborhood of tidyone- and two-story brick and stucco houses, with a few small apartment buildings. The streets are clean, the yards have trees and flowers, and many of the houses are painted in delicious pastelsâblue, green, pink, and yellow. It does look like home, except the houses are closer together, and many, even in this nice neighborhood, have bars on the windows or walls and gates around them.
âLove the colors. Is this where you guys live?â I ask. The apartment building where we lived before Papáâs arrest was nowhere near this nice.
âNo, but hereâs where I used to live before your father bought his place.â My aunt waves her hand toward a modern four-story building with lots of balconies.
âI was supposed to be fixing up a house.â
âYour mother said something about it.â
âYeah, Evan, my stepfatherââ
âDonât mention him to your father.â TÃa Ileanaâs voice is hushed.
âIâm not that dumb.â I push my hair from my face. âWeâre doing a good deed by saving an old house and making the neighborhood nicer.â
âWe tear down the old houses when we can,â TÃa Ileana says. âAnd build office and apartment towers to take their place.â
I repeat my stepfatherâs words. âThereâs history in an old house. Once itâs gone, you never get it back.â
âI like that.â She taps the steering wheel. âBut the cityâsgrowing, and the new buildings are safer in earthquakes.â
She turns onto a one-way street so narrow that at home it would be considered an alleyway. She stops in the middle of a block of split-level stucco duplexes with shingle roofs. Iâm surprised because most houses here seem to have either corrugated metal or orange terra-cotta roofs.
âThis is it,â she says. She takes a gray transmitter from the glove box and opens the automatic gate and garage door for the house on the left side. Metal numbers on a low cement wall read 52-50, and the wrought-iron fence above the wall matches the design and height of the automatic gate. Both sides of the duplex are painted white.
âBright blue,â I say.
âWhat?â She cuts the engine.
âWe should paint the house bright blue. Like in that other neighborhood.â I think of Petraâs plan to turn our house in Madison into an upside-down eggplant.
TÃa Ileana laughs. âAre you a bright blue person?â
âActually, redâs my favorite color, but I havenât seen a house painted red so far. Maybe itâs against the law. You know, troublemakersâ color.â
âTroublemaker,â she repeats with a smile. âThat was the one thing your father and mother agreed on about you.â The way she says it makes me think sheâs cool with the way I am,