taken them from so well that no one could tell the difference. And so, while the builders of the church of San Pietro made a progress which was wonderful, the builders of the church of San Paolo did not make any progress at all.
This went on for a long while, and San Paolo became more uneasy in his mind every day, and he could not take his food, and nothing gave him any pleasure. Santa Cecilia tried to amuse him with some new songs she had made; but this made him quite angry, for he said that a woman ought to learn in silence with subjection.
One day, while he was leaning over the balcony, he saw two pillars taken into his church, which were of yellow antique, most rare and precious, and had been sent from some foreign country (I do not know its name). He was altogether delighted; and he went down to the gate and asked San Pietro to be so kind as to tell him whether he had ever seen finer pillars. But San Pietro only said they were rather pretty, and then he asked San Paolo to get out of the way and let him shut the gate, in case some improper souls should sneak in.
That night, sir, when it was dark, San Pietro went and robbed those two pillars of yellow antique, and set them up in his own church. But in the morning, San Paolo, who had thought of nothing but his new pillars all through the night, said a black mass because it was shorter, and then went on to the balcony to have the pleasure of looking at his church with its beautiful pillars of yellow antique. And when he saw that they were not there he became disturbed in his mind, and he went and sat down in a shady place to consider what he should do next. After much thought, it appeared to him that he had been robbed, and as he knew that a person who has once committed a theft will continue to steal as long as he remains free, he resolved to watch his church at night, that he might discover who had stolen his pillars.
During the day the builders of the church of San Paolo put up two fresh pillars of yellow antique, and two of porphyry, and two of green antique as well. San Paolo gloated over these fine things from his seat on the balcony, for he knew them to be so beautiful that they would tempt the thief to make another raid, and then he would catch him.
After the Ave Maria, he made friends with one of the angels, who was putting on his armour in the guard-room before taking his place in the line of sentries who encircle the city of God both by day and night. These angels, sir, are a hundred cubits high, and San Paolo asked one of them, whose post was near the gate, to hide him under his wings so that he could watch for the robber without being seen. The angel said that he was most happy to oblige; for San Paolo was a Roman of Rome, and very well thought of in heaven; and when the night came on San Paolo hid in the shadow of his feathers.
Presently he saw San Pietro go out of the gate, and the light, of which the bodies of the saints are made, went with him, so that, though the earth was in darkness, San Paolo could see plainly all that he did. And he picked up the two fresh pillars of yellow antique, and the two of red porphyry, and also the two of green antique in his hand, just as you, sir, would pick up six paintbrushes; and he carried them to his own church on the Monte Vaticano and set them up there. And when he had patched up the place from which he had taken the pillars so that they could not be missed, he came back into heaven.
San Paolo met him at the gate and accused him of thieving, but San Pietro answered blusteringly that he was the Prince of the Apostles, and that he had a right to all the best pillars for his church. San Paolo replied that, once before, he had had occasion to withstand San Pietro to the face because he was to be blamed (and that was at Antioch, sir); and then high words arose, and the two saints quarrelled so loudly that the Padre Eterno, sitting on His great white throne, sent San Michele Arcangiolo to bring the