and I shove food into my face as if Iâm starving, because I am starving. I didnât eat lunch today. I donât think I even ate breakfast.
Dad says, âI heard you didnât keep our deal.â
Mom turns to me and says, âThe school called.â
Dad says, âJust
one day
, Sarah. For me?â
Mom mumbles something under her breath and I donât hear it. Dad does. He gives her a look I know all too well. Itâs like someone scraped his face off and replaced it with a guy who hates us all. Her, me, even himself.
I imagine I will go to school tomorrow.
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Last week, on the third day of bus riding, I decided to transfer every time I saw the same bus shelter advertisement twice. It seemed like an original game. Eventually, I ended up in a neighborhood Iâd never been in, in front of a boarded-up high school. It was an old building with graffiti-covered columns at the front entrance and the name of some dead educator carved in stone over the doors. I decided this would be my new school.
A guy in skinny jeans, curated high-tops, and chunky, hip glasses was standing on the sidewalk across the street staring into a camera on a tripod. He kept pulling his face away from the eyepiece and looking around. I could tell he was nervous. It wasnât the nicest part of town. I decided he had to be an art student. They infest this town like hipster cockroaches. Every one of them thinks theyâre original.
This guy looked like he was into ruin pornâbreaking into abandoned buildings, climbing bare girders, and taking pictures of collapsed ceilings and piles of rubble. This was a thing now.
Ruin porn.
But this guy hadnât even broken into the building; he was just taking pictures of the outside. First, from the tripod and then he walked around and tilted his camera in different directions and did close-ups of the usual things: graffiti, rust, broken windows. I knew if I looked hard enough I could find his page on The Social and look through his online portfolio. Maybe he went to the University of the Arts. Maybe he could sell me heroin. I didnât look him up, though. Totally unoriginal. Plus, I donât actually want to do heroin. I want to go to Spain or Macedonia. And I have more guts than to just see a thing from the outside.
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When I wake up to my alarm, I smooth out my clothing and I donât even change my underwear. I hear Mom getting in from her nightâs work and I hear her collapse into her bed and turn on the sound machine that she needs to sleep all day. White noise. It sounds like someone left the TV on static.
I get my favorite umbrella and put it in my backpack even though there is no rain predicted for the day. Dad is in the kitchen making me breakfast, but I walk straight out the door and up to the vendor who makes the best egg, cheese, and ham breakfast sandwiches, and when he asks âSalt, pepper, oregano?â I say yes to all three even though I donât like oregano. Then I sit on the curb and slowly eat every bite.
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Iâm late to my new school, because I donât exactly remember the buses I took to get here before. There are no ruin porn photographers this time.
The minute I step into the building, I pretend this is my old school on any normal day. I open my umbrella. Superstition abounds. Students act as if Iâve brought a curse upon the building, but thatâs only because they donât know that there is already a curse upon the building. The curse is: Nobody focuses on the now.
In first-period English, the teacher asks me to close my umbrella and I comply. She says, âItâs nice to see you again, Sarah.â I smile. It feels like I have a disease.
By lunch, Iâm ready to leave and take the bus to anywhere, but I decide to stay. I sit in the cafeteria at a table of the other sophomore art