with a paper in her hand. She had a mass of lightly bleached blonde hair and round blue eyes, and as she gave them all a beaming smile, Jess remembered her.
âGood morning, ladies, and welcome to the Princes Street Picture House. Iâm Sally Dollar, in charge of the box office, which is in the foyer behind me â perhaps some of youâve seen me before, on visits here?â
Oh, yes, Jess thought, sheâd seen her before, when sheâd bought her ticket, and had always thought how pleasant she looked in her little glass office.
âBut youâll be interviewed by Mr Hawthorne, the manager,â Miss Dollar was continuing. âIn alphabetical order, so youâll know where you stand. Now, is everyone here?â
Checking them off on her list, Miss Dollar told them that sheâd first be giving them a quick tour of the cinema, and then thereâd be a cup of tea or coffee in the Princes Cafe and Tea Room if they wanted it.
âIf we want it?â the girl next to Jess murmured. âIâm dying for a cup already!â
But Jess was more interested in the tour, and as Miss Dollar called out, âThis way, ladies!â was the first to follow.
From the vestibule they moved into the foyer, familiar to Jess, of course, from her many past visits. Here was the box office itself, focus of interest for the girls, of course, though it was no more than a small glass-walled office with a couple of seats, and a counter with ledgers and files and the machine that dispensed the tickets. When everyone had had a brief look, Miss Dollar drew their attention to the foyerâs marble flooring, decorative pillars, and the fine plasterwork of the ceiling cornices, all features in fact of the classical style of the whole cinema.
âAnd all costing a packet, as you might expect, when the Princes was built in 1912,â she added. âBut money seemed no object then. Later on, when the talkies came in and the old piano for the silent films went, they bought a grand cinema organ â and how much that set âem back, I couldnât tell you.â She gave a chuckle. âBut maybe you ladies will be more interested in the photos of the stars? Theyâre all here, you know, round the walls.â
And so they were, as the girls exclaimed. Clark Gable, Henry Fonda, Charles Boyer, Greta Garbo, Marlene Dietrich â oh, all of âem. Werenât they terrific?
âCharles Boyerâs on this week, in Algiers ,â one of the girls murmured. âOch, heâs so gorgeous, eh? That French accent!â
âWant to see the picture, then?â another girl asked.
âYou bet! And Jezebel â thatâs coming soon.â The first girl sighed. âWith Henry Fonda. Heâs gorgeous, too. So stern!â
âSorry to interrupt, but weâll have to move on,â Miss Dollar said cheerfully. âThis way to the auditorium. No Charles Boyer on at the moment. Itâs always like a church at this time of day â nobody around but the cleaners.â
They saw everything, from the cleaners at work in the hushed auditorium with its great Wurlitzer organ, to the staffroom and offices and the projection room behind the circle, described by Miss Dollar as the hub of the whole place.
âAll very technical up here, as you can see, but everybody at the Princes has to have an idea of how things work. We all have to muck in, you might say, from time to time. One big happy family!â
At the looks on their faces, she gave another chuckle.
âBut no need to worry. Youâll noâ be having to show the films. Sorry our projectionist is out just for the minute, or he couldâve said a few words. As a matter of fact, heâll be interviewing himself today â needs an assistant.â
âDid you say we were to be seen in alphabetical order?â Jess asked, as they all trooped along to the cafe that was as elegant and gracious as everywhere