imagine our rewards.
Pantoum
Eyes shining without mystery,
Footprints eager for the past
Through the vague snow of many clay pipes,
And what is in store?
Footprints eager for the past,
The usual obtuse blanket.
And what is in store
For those dearest to the king?
The usual obtuse blanket
Of legless regrets and amplifications
For those dearest to the king.
Yes, sirs, connoisseurs of oblivion,
Of legless regrets and amplifications,
That is why a watchdog is shy.
Yes, sirs, connoisseurs of oblivion,
These days are short, brittle; there is only one night.
That is why a watchdog is shy,
Why the court, trapped in a silver storm, is dying.
These days are short, brittle; there is only one night
And that soon gotten over.
Why, the court, trapped in a silver storm, is dying!
Some blunt pretense to safety we have
And that soon gotten over
For they must have motion.
Some blunt pretense to safety we have:
Eyes shining without mystery
For they must have motion
Through the vague snow of many clay pipes.
Grand Abacus
Perhaps this valley too leads into the head of long-ago days.
What, if not its commercial and etiolated visage, could break through the meadow wires?
It placed a chair in the meadow and then went far away.
People come to visit in summer, they do not think about the head.
Soldiers come down to see the head. The stick hides from them.
The heavens say, “Here I am, boys and girls!”
The stick tries to hide in the noise. The leaves, happy, drift over the dusty meadow.
“I’d like to see it,” someone said about the head, which has stopped pretending to be a town.
Look! A ghastly change has come over it. The ears fall off—they are laughing people.
The skin is perhaps children, they say, “We children,” and are vague near the sea. The eyes—
Wait! What large raindrops! The eyes—
Wait, can’t you see them pattering, in the meadow, like a dog?
The eyes are all glorious! And now the river comes to sweep away the last of us.
Who knew it, at the beginning of the day?
It is best to travel like a comet, with the others, though one does not see them.
How far that bridle flashed! “Hurry up, children!” The birds fly back, they say, “We were lying,
We do not want to fly away.” But it is already too late. The children have vanished.
The Mythological Poet
I
The music brought us what it seemed
We had long desired, but in a form
So rarefied there was no emptiness
Of sensation, as if pleasure
Might persist, like a dear friend
Walking toward one in a dream.
It was the toothless murmuring
Of ancient willows, who kept their trouble
In a stage of music. Without tumult
Snow-capped mountains and heart-shaped
Cathedral windows were contained
There, until only infinity
Remained of beauty. Then lighter than the air
We rose and packed the picnic basket.
But there is beside us, they said,
Whom we do not sustain, the world
Of things, that rages like a virgin
Next to our silken thoughts. It can
Be touched, they said. It cannot harm.
But suddenly their green sides
Foundered, as if the virgin beat
Their airy trellis from within.
Over her furious sighs, a new
Music, innocent and monstrous
As the ocean’s bright display of teeth
Fell on the jousting willows. We
Are sick, they said. It is a warning
We were not meant to understand.
II
The mythological poet, his face
Fabulous and fastidious, accepts
Beauty before it arrives. The heavenly
Moment in the heaviness of arrival
Deplores him. He is merely
An ornament, a kind of lewd
Cloud placed on the horizon.
Close to the zoo, acquiescing
To dust, candy, perverts; inserted in
The panting forest, or openly
Walking in the great and sullen square
He has eloped with all music
And does not care. For isn’t there,
He says, a final diversion, greater
Because it can be given, a gift
Too simple even to be despised?
And oh beside the roaring
Centurion of the lion’s hunger
Might not child and pervert
Join hands, in