made of sterner stuff than that, and sheâd kept the others firm.
Coltrane punched in a row of numbers on the security keypad by the door, too fast for Jilly to read them, then pushed the door open, holding it for her. She walked past him, too close again, and gave him her cool, dismissive smile. âThanks for your help, but I can take it from here.â
âThe elevator wonât come without the security code,â he said. âWeâre on the thirty-first floor, itâs a hell of a long walk down, and when you get to the basement youâll find the door is locked and youâll just have to climb back up again. Besides, thereâs the little problem of the parking garage.â
âIâve got my cell phoneâI can call a taxi.â
âYouâll still have to come back here for your car sooner or later. Unless you want to just go buy a new one with Daddyâs money.â
His easygoing contempt startled her, and she glared at him. âIâm surprised you donât know that I donât live off my daddyâs money, as you so sweetly put it. Maybe youâre not as involved in his affairs as Dean thought.â
Coltrane simply smiled. âItâs your choice, Jilly. You want to spend the night wandering up and down thirty-one flights of stairs, or do you want my help?â
Being trapped in a stairwell seemed vastly superior to being stuck with Coltrane in one of the bronze, art deco elevators Jackson had brought to the Meyer Building, but she wasnât about to say so.
âCall the elevator,â she said, resigned. She was back in the tumbrel again, heading toward Madame La Guillotine.
He punched another rapid set of numbers on the keypad, and the doors opened immediately. She had no idea why the elevator would already be on their floor, but she wasnât about to ask. It was going to be hard enough to step into that bronze cage with her brotherâs nemesis.
She didnât like heights, she didnât like enclosed spaces, and she certainly didnât like men like Coltrane. Tall, gorgeous, self-assured men who knew just how intimidating they could be. It was a subtle, sexual intimidation, the worst sort, and Jilly was usually invulnerable to that sort of thing. But for some reason she still didnât want to get in the enclosed cage with him.
She had no choice. He waited, watching her, and she could no longer see the expression in his eyes. She walked into the elevator, hearing the jeering crowds of the angry peasants. He followed her in, and the doors slid shut with a subtle hiss, as Jilly steeled herself to ride to her doom.
2
J ackson Meyerâs daughter was scared shitless of him. It was a fascinating realization, and Coltrane wished he knew a way to slow the rapid descent of the elevator, to stall it completely, anything to keep her with him for just a little bit longer.
Heâd watched her while she slept, absolutely astonished at how far off the mark heâd been about her. Heâd let his opinion of Dean influence his expectations about Meyerâs other children; that, and stories heâd heard about Rachel-Annâs voracious appetite for drugs and sex. Heâd assumed Jilly Meyer would be cut from the same self-indulgent, self-destructive cloth. He hadnât met Rachel-Ann yet but Jilly was as different from Dean Meyer as he could have possibly imagined.
In a land of California blondes she was dark, with an unfashionable mane of thick brown hair, a big, strong body and endless legs. She was no delicate flowerâshe had a physical presence that was both aggressive and arousing, even as she tried to make herself disappear into the corner of the elevator. He wondered if she was scared of heights or of him.
He wouldnât have thought sheâd have the sense to be frightened of him. Heâd done his absolute best to present himself as a laid-back and easygoing, slightly unscrupulous Southern Californian. No