Shadow of the Silk Road Read Free

redundant. Under their shocks of grey hair the faces looked strained or emptied by history. Sometimes they seemed faintly to smile. They smoked continuously, if they could afford it, and tugged their trouser legs above their knees to catch the sun. And sometimes their expressions had quietened into a kind of peace, even amusement, so that I wondered in surprise what memory can have been so sweet.
    Stray from any avenue within the walls, and you become lost in a skein of old suburbs. Just behind the concrete boulevards, they pulse like the city’s unconscious–twist and bifurcate into claustrophobic courtyards where the flimsy wooden walls of family compounds, studded with cracked windows, last out the cold winters under grey-tiled roofs or corrugated tin. As you walk here, the weight of Xian’s past returns. You hear only the squeak of bicycles or the clatter of a pedicab as it deposits its bone-shaken passengers.
    In one street, where artists and calligraphers toiled in darkstudios, I was surrounded by classical ink-stones for sale, and ranks of badger-hair brushes in discrete sizes (with a stuffed ferret-badger hanging alongside as guarantee). Vendors of bamboo pipes and bottle-flutes blew them in quaint seduction as I passed. But the wonky eaves and balconies above them had been self-consciously restored, and the alley was called ‘Old Culture Street’. Beyond it, lanes selling painted fans and classical opera costumes merged into a market of massed artefacts in lacquer and porcelain, jade and bone. Reproduced as antique, they occupied a shadowland where the old crafts had grown nostalgic, food for tourists. Among them all–the quaint and the occasionally beautiful–I even found mementoes of the Cultural Revolution, manufactured as curiosities. There were Little Red Books for sale, published as posthumous souvenirs; cigarette lighters played ‘The East is Red’ as they lit up. On a popular wristwatch a painted image of Mao Zedong waved his hand jerkily with every second. ‘He is not greeting you,’ the vendor grinned. ‘He is saying goodbye.’ It was as if those years, with all their horror, were being sucked already into the slipstream of the past. The pain was leaving them. They had become kitsch.
    But that afternoon a storekeeper offered me another Little Red Book, almost forty years old. It was stained with oil, and inscribed with its owner’s name, Yang Shaomin. Then an old unease came over me. The terror of the Cultural Revolution–its unknown millions persecuted, its hallmark mental cruelty–had never quite left me. Eighteen years ago I had encountered its human wreckage everywhere. I fingered the book tentatively, almost with reverence. It seemed to breathe a corrupt mana. I remembered photographs of Mao Zedong haranguing the Red Guards in Tiananmen Square, and the ocean of Red Books lifted to worship him. Had this been one of them? It felt rough and small in my hands. In the back it enclosed a yellowed newspaper clipping of Mao’s thoughts. And as I fingered its paper, that nightmare became real again, and I wondered what had happened to Yang Shaomin, and what he had done.
    Then I was back in the daylit street. It was snarled with traffic, and children were coming out of school. Years before, they wouldhave followed their teacher in a dutiful crocodile, the infants strung together by a long cord. Now they jostled and shouted and ran amok. Their satchels were inscribed ‘Happy Journey’ and ‘No. 1 Cool Dog’. I felt foolishly comforted. In the local cinema a Shanghai romance called Why me, Sweetie? was playing alongside Harry Potter and the Chamber of Secrets .
    Now I was walking in fascinated confusion. My eyes kept alighting on those vaguely disturbing advertisements featuring Europeanised models. Their eyes were unnaturally rounded, the epicanthic folds surgically cut, their noses subtly arched or thinned by photographic lighting, and the bud-like mouths were stretched in a Western