pistol, the 9mm Browning that has long been a favorite of the SAS. At the same time, he shouted, louder than he needed to, “Stay where you are! If you move, I’ll fire.” It was exactly how he had been trained. He was both exerting his authority over his target and alerting any nearby agents that his cover had been blown.
Unfortunately, in the silence of the museum and with the ceiling so high overhead, his words echoed out. A few tourists turned to see what was happening. They caught sight of the gun. The first seeds of panic were planted and instantly began to grow.
Kurst raised his hands, one of them still holding the ebony walking stick. At the same time, he moved very slightly to one side. Travis followed him with his eyes and didn’t see something flash through the air over Kurst’s shoulder, didn’t even notice it until it had buried itself in his throat. The old woman who had been painting the copy of the kneeling goddess had followed Kurst to the door. Underneath the makeup, she wasn’t old at all, and her brushes might have had tufts at one end, but the handles were precision-made steel and razor sharp. Travis fell to his knees. In the last second of his life, his trigger finger tightened and the gun went off, the explosion amplified by the stone walls all around. That was when the panic began for real.
The tourists screamed and scattered, some of them diving into the shop or behind the information desks. A group of primary school students, who had just been visiting the Egyptian mummies, crouched down beside the stairs, cowering together. An American woman, standing by herself, began to scream. The British Museum guards, many of them old and long retired from their real careers, remained frozen to the spot, completely unprepared for an event like this. Meanwhile, Kurst stepped over the dead man and continued to move slowly toward the main door.
Of course he hadn’t come to the museum alone. Scorpia would not have risked the freedom of its chief executive, even for a million dollars, and its agents surrounded him on all sides. As the other MI6 agents closed in from every direction, still unsure what had happened but knowing that all the rules had changed, they were met by a hail of machine-gun fire. The bearded student who had been examining the postcards had reached into his backpack and drawn out a miniature machine gun with folding shoulder stock and was spraying the hall with bullets. An MI6 man, halfway down the west stairs, threw his arms back in surprise, then jerked forward and tumbled down. The American woman was still screaming. The primary school children were crying in terror. All the alarms in the building had gone off. There were people running in every direction.
The Japanese man who had been photographing his wife threw his camera on the floor and it exploded with a soft woomph, releasing thick, dark green fumes into the air. In seconds, Kurst had disappeared. The Great Court had become a battle zone. Two MI6 men slid to a halt, trying to peer through the smoke. There was a loud crack, then another, and they fell to the ground. They had been shot in the legs by the Japanese woman, who had produced a pearl-handled Nambu pistol from her handbag.
Meanwhile, holding a handkerchief across his face, Kurst had reached the main doors. There had been little security when he came in. There was none as he left. Out of the corner of his eye he saw an MI6 agent try to rush him, then fall back as he was grabbed by his personal bodyguard, the black man with the notebook whom he had registered on his way to the Elgin marbles. The human neck makes an unmistakable sound when it is snapped, and he heard it now. The agent slumped to the ground. Kurst walked out into the fresh air.
There were people running between the pillars, tumbling down the steps, and hurling themselves across the open area in front of the building. Already the police were on their way, their sirens growing in volume as they came
Tara Brown writing as Sophie Starr