fabric, a tear like a bullet hole, and the hem was discolored and torn from having been dragged through mud and danced on and stepped on during the long night into dawn of our wedding party, when Aura had taken off her wedding shoes and slipped into the dancing shoes we’d bought at a bridal shop in Mexico City, which were like a cross between white nurse shoes and seventies disco platform sneakers. A delicate relic, that wedding dress. At night, backed by the mirror’s illusion of depth and the reflected glow of candles and lamps, the baroque frame like a golden corona around it, the dress looks like it’s floating.
* * *
Despite the altar, or maybe partly because of it, our cleaning lady quit. Flor, from Oaxaca, now raising three children in Spanish Harlem, who came to clean once every two weeks, said it made her too sad to be in our apartment. The one time Flor did come, I watched her kneel to pray at the altar, watched her pick up photographs of Aura and press them to her lips, smudging them with her emphatic kisses and tears. She imitated Aura’s reliable words of praise for her work, the happy pitch of her voice: Oh Flor, it’s as if you work miracles! Ay, señor, said Flor. She was always so happy, so full of life, so young, so good, she always asked after my children. How could she do her job now, in that way that had always so pleased Aura, Flor pleadingly asked me, if she couldn’t stop crying? Then she’d taken her sadness and tears home with her, home to her children, she explained later when she phoned, and that wasn’t right, no señor, she couldn’t do it anymore, she was sorry but she had to quit. I didn’t bother to look for a new cleaning lady. I suppose I thought she would feel sorry for me and come back. I tried phoning, finally, to beg her to come back, and got a recorded message that the number was no longer in service. Then, months after she’d quit, incredibly, she repented and did phone and leave her new telephone number—apparently, she’d moved—on the answering machine. But when I phoned back, it was the wrong number. Probably I’d written it down wrong, I’m a touch dyslexic anyway.
Now, fifteen months after Aura’s death, coming home without her again—no one to meet me at the airport this time—I found the apartment exactly as I’d left it in July. The bed was unmade. The first thing I did was open all the windows, letting in the cool, damp October air.
Aura’s MacBook was still there, on her desk. I’d be able to pick up where I’d left off, working on, organizing, trying to piece together her stories, essays, poems, her just begun novel, and her unfinished writings, the thousands of fragments, really, that she left in hercomputer, in her labyrinthine and scattered manner of storing files and documents. I thought I felt ready to immerse myself in that task.
In the bedroom there were old dead rose petals, darker than blood, on the floor around the vase in front of the altar, but the vase was empty. In the kitchen, Aura’s plants, despite not having been watered in three months, were still alive. I stuck my finger in the soil of one pot and found it moist.
Then I remembered that I’d left a key with the upstairs neighbors, asking them to water Aura’s plants while I was away. I’d only intended to go to Mexico for the first anniversary and stay a month, but I’d stayed three, and they’d kept it up all that time. They’d thrown out the dead roses, which must have begun to rot and smell. And they’d collected my mail in a shopping bag that they had put next to the couch, just inside the apartment door.
On the beach we—I and some of the swimmers who saw or heard my cries for help—pulled Aura out of the water and set her down in the almost ditchlike incline gouged by the waves, and then we picked her up again and carried her to where it was level and laid her on the hot sand. As she fought for air, closing and opening her mouth, whispering only the word “