so sharp that it made him grit his teeth. Sooner or later it would pass. These damned cramps had become more frequent in the last two or three years. Signs of old age lurking round the corner? The current carried him lazily along. The pain was starting to abate, and this allowed him to take two armstrokes backwards. At the end of the second stroke, his hand struck something.
In a fraction of a second, Montalbano realized he’d struck a human foot. Somebody else was floating right beside him, and he hadn’t noticed.
“Excuse me,” he said hastily, flipping back onto his belly and looking over at the other.
The person beside him didn’t answer, however, because he wasn’t doing the dead man’s float. He was actually dead. And, to judge from the way he looked, he’d been so for quite a while.
2
Flummoxed, Montalbano started swimming around the body, trying not to make waves with his arms. There was sufficient light now, and the cramp had passed. The corpse certainly wasn’t fresh. It must have been in the water for quite some time, since there wasn’t much flesh left attached to the bone. The head looked practically like a skull. A skull with seaweed for hair. The right leg was coming detached from the rest of the body. The fish and the sea had made a shambles of the poor wretch, probably a castaway or non-European who’d been driven by hunger or despair to try his luck as an illegal immigrant and been chucked overboard by some slave trader a little slimier and nastier than the rest. Yes, that corpse must have hailed from far away. Was it possible that the whole time it had been floating out there not a single trawler, or any boat at all, had noticed it? Unlikely. No doubt somebody had seen it but had promptly fallen in line with the new morality, whereby if you run over someone in your car, for example, you’re supposed to hightail it away and lend no aid. Fat chance a trawler would stop for something so useless as a corpse. Anyway, hadn’t there been some fishermen who, upon finding human remains in their nets, had promptly dumped them back in the sea to avoid bureaucratic hassles? “Pity is dead,” as some song or poem, or whatever the hell it was, once said, a long time ago. And, little by little, compassion, brotherhood, solidarity, and respect for the elderly, the sick, and little children were also dying out, along with the rules of—
Cut the moralistic crap , Montalbano said to himself, and try instead to find a way out of this pickle .
Rousing himself from his thoughts, he looked towards land. Jesus, was it far! How had he ended up so far out? And how the hell was he ever going to tow that corpse ashore? The corpse, meanwhile, had drifted a few yards away, dragged by the current. Was it challenging him to a swimming race? At that moment the solution to the problem came to him. He took off his bathing suit, which, in addition to the elastic waistband, had a long rope around the waist that was purely ornamental and served no purpose. In two strokes he was beside the corpse; after reflecting for a moment, he slipped the bathing suit over the body’s left arm, wrapped it tightly around the wrist, then bound it with one end of the rope. With the other end he tied two firm knots around his own left ankle. If the corpse’s arm didn’t fall off as he was towing it—a very distinct possibility—the whole ordeal might, he was sure, come to a peaceful, happy ending, albeit at the cost of tremendous physical effort.
He began to swim. And for a long stretch he swam rather slowly, necessarily using only his arms, stopping from time to time to catch his breath, or to see if the corpse was still attached to him. Slightly more than halfway to shore, he had to stop for a little longer than usual; he was huffing and puffing like a bellows. When he turned onto his back to do the dead man’s float, the dead man—the real one, that is—flipped face-down from the movement conveyed to him through the