Shot one of the torchesââHubbard had to smile as he explainedââand set one bastardâs hood on fire.â
âLanguage!â
âBe serious,â he said, losing the smile.
âWhoâd help us out against that mob, in Corpus Christi?â she demanded.
âThey donât speak for everyone. You know that, well as Iââ
âWhatâs that?â she interrupted him.
A rapping at their back door, soft but clearly audible.
âBack in the tub!â he ordered.
âTomââ
âDo like I tell you!â
Josey ducked into the bathroom. Hubbard checked the street again, saw no one lurking there, and started moving toward the back door, shotgun ready in his hands. It struck him as peculiar, that the mob or members of it would come creeping back and knock politely on his door after the skirmish sent them fleeing. Still, he knew they werenât all idiots. Some of them might try stealth, where a direct attack had failed.
Halfway between the bedroom and the back door, Hubbard paused. What if the knocking was a trick to draw him from the street-side window, while the mob or part of it came back? They wouldnât have to rush the house, just sneak back long enough to pitch a torch or a kerosene lamp through one of the windows. Hubbard couldnât fight fire with a shotgun, and once he fled the house with Josey, they would be exposed to gunmen waiting in the dark.
He almost doubled back to watch the street, then realized that someone with a mind to burn the house could set a fire as easily behind it as in front. He mouthed a silent curse, then detoured to the tiny bathroom and spoke into its shadows.
âBe ready to run if I tell you,â he said, then retreated, not waiting for Josey to answer.
It was imagination, he supposed, that made him hear her whisper back, âI love you, Thomas
.
â
Only half as much as I love you,
he thought.
Hubbard would die defending her, and gladly, but heknew it wouldnât help if she was trapped inside the house by flames or gunfire, with him dead.
Moving toward the back door, Hubbard placed each step precisely on floorboards, cringing when they groaned beneath his weight. The little noises heâd grown used to in the weeks theyâd occupied the rented house all worked against him now, marking his every movement for whoever waited in the night, outside.
Go slow and take it easy.
Hubbard knew it wasnât the police. Most of them thought no better of him than the men whoâd come to lynch him, and if theyâd arrived belatedly, they would be kicking in his front door, probably arresting him and Josey for the crime of self-defense. He thought about the man heâd wounded in the butt and knew that if he died, Hubbard might well be charged with murder.
Hang me one way or another, will you? Then I may as well die fighting.
He was almost at the back door when the knocking was repeated. Slightly louder now, or was that just because heâd moved in closer? Hubbard stayed as far to one side of the doorway as the narrow hall permitted, knowing that a fusillade of gunfire blasting through the door could cut him down before he had a chance to use the Sharps.
What now?
The knock came for a third time, urgently, and someone whispered through the door panel, calling his name. A manâs voice, but he couldnât place it.
Should he answer, or just blast the prowler straight to hell?
âWho is it?â Hubbard asked, throat dry and croaking.
âIâm a friend,â the disembodied voice replied.
And what else would it say?
Iâm here to kill you?
âState your name,â Hubbard demanded, knowing that the answer might well be a lie.
âGideon Ryder.â
âNever heard of you.â
âBe disappointed if you had,â the stranger said.
The Sharps was trembling in his hands like a divining rod with water underfoot. âWhat do you