invited us to dinner at his motherâs. But we are free tomorrow, right, you guys?â she said, giving Nancy, Claudia, and George a pleading look.
Nancy could see that the others didnât want to stand in the way of Bessâs romance, either. âRight,â she confirmed. âDancing sounds great.â
âPerfetto . Then it is a date,â Massimo said, his smiling eyes trained on Bess.
âMassimo,â a low female voice called. Nancy turned and saw a stunning girl with deep green eyes and black hair. She wore a long simple dress splashed with red flowers. She was very petite, only about five feet tall.
âKarine,â Massimo said, surprise in his voice. âUm, meet Nancy, Bess, and George. This is Karine Azar. You already know Claudia.â
Karine smiled and waved at the girls. Casually she went over and sat on Massimoâs stool.
âAzar?â George asked. âIs that Italian?â
âItâs Turkish,â Karine replied, with a slight lilt in her voice. âBut my mother is Italian.â
âKarine is an artist, too,â Massimo explained. âWe go to the same school. She makes chalk drawings in the piazza during the summer.â His eyes darted between Bess and Karine, and he looked very uncomfortable. Nancy wondered what the story was between him and Karine.
âWhat kind of drawings?â Nancy asked Karine, trying to break the tension.
Karine nodded. âOver there.â She waved in the direction of a brightly colored drawing on the stone floor of the piazza. It was a depiction of a robed figure.
âThatâs really great,â George commented. âWhat is it?â
âI usually do one of Romeâs great works. Today it is one of the figures from a fresco called The School of Athens ,â Karine said. âItâs supposed to be Aristotle.â
After glancing at the drawing Bess took hernecklace out of her knapsack and showed Massimo the broken clasp. âCan you fix it?â she asked.
âCèrto . Of course. Let me get a new clasp and some pliers.â Massimo reached for a canvas bag beneath his display table. âThis is a beautiful piece,â he said as he dug around for supplies. âIf I had known you had it, I might even have charged you for the one I gave you this morning.â
âWhat an artist!â Bess teased. âYou canât even recognize your own art. This is the necklace you gave me this morning.â
âNo, it is not,â Massimo said, wrapping a clear piece of fishing line around the clasp. He tied a knot, pulled it tight, and snipped off the end.
Bess glanced at Nancy and George in confusion. âOf course itâs the one you gave me. Why would I buy two necklaces like this?â
Now Massimo was the one who looked confused. âYou do not really think this is my necklace,â he said. âDid you lose the one I gave you?â
âMassimo gave you a necklace?â Karine spoke up, looking suddenly interested. âAnd you lost it? If Massimo gave me a necklace, I would never, ever lose it,â she declared, catching Massimoâs gaze.
Bess had competition, Nancy thought. And Karine was making sure she knew it.
Ignoring Karine, George asked Massimo, âWhy do you think that necklace isnât yours?â
âLook at this,â he said. He held out a piece of the broken clasp he had just removed. âIt is veryintricate. My clasps are much simpler. Also, the beads are strung differently. I use fishing line. These beads are knotted onto a braided string.â
Massimo fingered the beads carefully. âI am almost certain that these beads are made of real gold.â
Bess stared at the necklace in disbelief. âI donât get it. How could this be real gold?â
âIt is heavier than my necklaces are, for one thing. And the workmanship is better,â Massimo explained. He unhooked one of his necklaces from the velvet