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tighter into my momâs side as the woman first sneered at us and then pointed a stern finger at my mom. âTheyâre displaying stolen artifacts.â She gestured to the monks. âThese monks came all the way from Cambodia to get them back.â
A couple of news crews rushed in and pointed their cameras and bright lights at us. My mom cleared her throat. âIf thereâs something in the museum that was stolen, you should report it. There are better ways than trying to intimidate people.â
âReport it?â The protestor laughed. âWho should we report it to? Cambodian authorities donât care, and the curator doesnât care. All they care about is making money and drawing a crowd.â She scowled at the camera crew and then back at my mom. âWhich is exactly what youâre helping them do. You make me sick.â She turned to the camera. âImagine a woman bringing her kids to see a stolen head.â
âStolen head?â Colinâs eyes widened to the size of Roman shields, and a smile tore his face in half. âAs in an actual human head?â He laughed. âI thought we were here to see a giant turd. This is way better than I expected.â
The protestor blinked. âA giant what?â
Colin looked up at the camera. âCan I say turd on TV?â The cameraman smiled and gave Colin a thumbs-up.
Museum security stepped up and blocked the crazy lady from getting closer to the entrance. She grumbled, raised a fist over her head, and then returned to her group and resumed chanting, âGive it back. Give it back.â
We stepped inside. A man in a dark suit stood just inside the door. âGood morning, maâam,â he said to my mom. âMy name is Jonathan Overton. Iâm the curator of the museum. I just wanted to extend my apologies for any discomfort caused by the protestors.â He pursed his lips and blew a breath through his nose. I imagined heâd been giving the same apology to everyone whoâd come in. Then he seemed to give my mom a second look. âProfessor Curse?â
She extended her hand. âIâm sorry, Mr. Overton, do we know each other?â
âNo, no, but my predecessor mentioned you had a lot of input on our art exhibit, and I was at your lecture on Caravaggio this past spring. Riveting.â
My momâs grin widened. âWhy, thank you. I was trying to introduce theâ¦â
I stopped paying attention to the conversation and glanced at my friends. The three of us slipped awayâor in my case, crutched away. Becky did too, but she went the opposite direction.
âLetâs go find that head,â Colin said.
A map situated in the middle of the foyer showed that each floor of the museum was shaped like a giant U.
âSecond floor is artwork,â Lisa said, muttering mostly to herself as she read the map. âHere.â She tapped a section marked in red. âNew exhibits and items on loan. I bet the headâs here. First floor.â
She pointed to the right. âThat way.â
Chapter 4
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The three of us made our way through the Native American exhibit and past the display of medieval weaponry. Colin stole one of my crutches and had a mock sword fight with a knight on display. He only stopped when he noticed the models of early man and jumped the ropes. He hunched over, situating himself among a trio of cavemen roasting something over a fake fire.
âAw, thatâs sweet,â Lisa said. âColinâs found his birth family.â
âDonât listen to her, Dad,â Colin said, speaking to the wax caveman to his right. âShe's just jealous.â
We laughed and Colin stood up and took a step but his foot clipped one of the logs in the display and he stumbled backwards through some fake foliage and smack into the back wall, then disappeared.
âColin?â
âA little help,â he said, groaning.
Lisa and I exchanged