brought back to Paris but did not take as his wife. Illegitimate
status hadn't seemed to slow Belghazi down, though,
and he had excelled in school, both academically and athletically,
making a name for himself afterward as a photojournalism His fluent
Arabic had made him a natural for covering conflicts in the
Arab world: the Palestinian refugee camps, the Mujahideen in
Afghanistan, the first Gulf war. Playing on his contacts among the
combatants, and on those he developed at the same time among
foreign military and intelligence services, Belghazi had become a
conduit for small arms deliveries to various Middle Eastern hot
spots. His operation had grown organically as his supply-side and
customer-side contacts broadened and deepened. His latest efforts
were concentrated in Southeast Asia, where various emerging fundamentalist
and separatist groups within the region's sizeable Muslim
populations provided a growing customer base. He was known
to have a taste for the finer things, too, along "with a serious gambling
habit.
He was with two large men, also in suits and similarly swarthy,
whom I made as bodyguards. One of them started a visual security
sweep, but Belghazi didn't rely on him. Instead, he did his own
evaluation of the room and its occupants. I watched in my peripheral
vision and, when I saw that he was finished and had turned his
attention to the front desk, I looked over again.
A striking blonde had just come through the front doors. She
was wearing a black pants suit and pumps. Practical, but classy.
What you'd see on a traveler carrying a first-class ticket. She was
tall, too, maybe five-nine, five-ten, with long legs that looked good
even in pants, and a ripe, voluptuous body. A porter followed her
in, gripping a pair of large Vuitton bags. He paused near her and
leaned forward to ask something. She raised a hand to indicate that
he should wait, then started her own visual sweep of the room. I
hadn't expected that, and quickly returned my attention to Keiko
until the blonde's gaze had passed over us. When I glanced over
again, she was standing beside Belghazi, her arm linked through his.
Something about her presence was as relaxed and, in its way, as
commanding as his. Everything about her seemed natural: her hair,
her face, the curves beneath her clothes.
A
minute later she, the porter, and one of the bodyguards headed toward the elevators. Belghazi and the other bodyguard remained
at the front desk, discussing something with the receptionist.
The front door opened again. I glanced up and saw Karate.
Christ, I thought. The gang's all here. I wondered half-consciously
whether he'd been tipped off somehow.
Karate walked slowly through the lobby. I saw his gaze move to
Belghazi, saw his eyes harden in a way that would mean nothing to
most people but that meant a great deal to me. From this gaze I understood
that Karate wasn't looking at a man. No. What I saw instead
was a hunter acquiring a target.
And, I knew, but for my long-practiced self-control, had anyone
been watching me as I confirmed my suspicions about why Karate
was here, they would have seen an identical involuntary atavism
ripple across my own features.
A few minutes passed. Belghazi and his man finished at the front
desk and made their way to the elevator. I gave them four minutes,
then told Keiko I needed to use the restroom and would be right
back.
I went to a house phone and asked the operator to connect me
to the Oriental Suite. There were only two suites in the hotel--the
Oriental and the Macau--and, judging from his file, I had a feeling
Belghazi would be occupying one of them.
No answer at the Oriental. I tried again, this time asking for the
Macau.
"Hello," a man's voice answered.
"Hello, this is the front desk," I said, doing a passable imitation
of a local Chinese accent. "Is there anything we can do to make
Mr. Belghazi's stay with us more comfortable?"
"No, we're fine," the
Christopher Knight, Alan Butler