curls for so long, if I fix my hair any other way I look like a stranger, even to myself. So about every three months or so, Mama and I go out to Euniceâs to getall frizzed up. âHow sweet,â Mama always says, after Iâve baked under the hair dryer for an hour and Eunice is combing me out. âNow donât that look sweet?â
Mama doesnât look sweet lying there hunched up in bed. She looks anything but sweet. Sheâs not asleep, I know sheâs not. Itâs the way her eyes are squinched. Real tight, not loose and natural, and her nostrils are flared, like sheâs embarrassed. Embarrassed the way she was when she told Daddy about me going off to Nathan. But if sheâs embarrassed, what about me? Carrying around enough embarrassment for me and her and the whole world besides.
âMama,â I say, and her mouth draws up into a wrinkled, tan prune. âMama.â She turns over onto her back and sighs, the breath coming out of her long and heavy, her eyes still closed.
Heavy breath it was. And somehow pleasant and exciting at the same time. But scary pleasant. Scary exciting. Donât even think about it.
The pendulum of the anniversary clock on her dresser turns around first one way then the other, as if it canât make up its mind which way to turn. Thatâs the way Iâve been feeling for months, actually years, but especially this past month, since I started thinking about
it
even if it is for only ten seconds at a time. First, I start trying to be me, whoever that is, then something happens with Mama, an argument or a fussiness that makes her not even speak to me, and Istart back trying to be like Angela. Being like Angela, mat somehow helps with that debt I owe. Donât ask me how. It just does. Like if I donât go along with Mama and at least play like Iâm Angela, then somebody, somewhere, sometime, somehow is going to come and get me and Iâll have to pay for it in some way. Itâs like Iâm hiding out. Just waiting. Aunt Lona is glad Iâm going to Nathan. I wish Mama were glad.
Something about the way Mamaâs looking makes me not want to touch her, so I pick up the edge of the yellow chenille bedspread and I shake it. âMama,â I say. âLook, Iâm nearly about ready to go.â
âLook, Elizabeth. Look. See? Here it is.â Donât even think about it.
Mama opens and closes her eyes as if the lids weigh a hundred pounds apiece. âDonât that dress look a sight,â she drawls, clutches her stomach, and moans.
âYou need the magnesia, Mama?â I try to say it nice, like Angela would say it, but I canât help the bit of crankiness that creeps into me, crankiness from knowing deep down inside that Mama would be sick today.
âLord, God, Mama,â I want to say. âIâm sick today, too. Today and every day. And what Iâd like to do, Mama, is just puke it all out, every bit of it, right here all over the bed, splatter it all over you, even though youâre my mama and I donât have a right to be thinking such as this.â
But, Mama,
Iâm your daughter, and you had no right, either. Donât even think about it.
âYou need the magnesia, Mama?â I say again, a little crankier.
Mama frowns at my crankiness. âCanât you talk better than that, Elizabeth? That sounds ugly. Canât you talk better to your mama?â
I look at the clock pendulum spinning around, and I want to say, âNo, Mama, sometimes I want to talk ugly to you.â But I donât say that because it would hurt Mama bad. And like Mama always says, sheâs been hurt enough. Still hurting. After all these years, thirty-four years since Angela died, sheâs still hurting.
âIâm sorry, Mama. Iâll get the magnesia.â
Thereâs just a tad left in the blue glass bottle, a bottle the blue of the morning glories flowering up Daddyâs
Jared Mason Jr., Justin Mason