him?â
Stone said carelessly, âFifteen hundred a week might do it.â
âGive me that phone!â Dullman said. âWho do you think youâre dealing with, Phil? Benedictâs washed up in Hollywood, dead on Broadway, and TVâs had a bellyful of him. I happen to know heâs flat on his tokus. I wouldnât let Mr. Bluefield touch him with a skunk pole if Mansonâs accident hadnât left us over this barrel. Seven-fifty, Phil, take it or leave it. You taking or leaving?â
After ten seconds the agent said, âIâll call you back.â Dullman gave him the number of the Hollis phone and his extension and hung up.
âHeâll take.â Dullman lay down on the bed and stared at the ceiling.
Scutney began to hop around the room again.
âYouâre asking for it,â Roger Fowler said tightly. âBenedictâs a bad actor, Scutney. And Iâm not referring to his professional competence.â
â Please , Roger,â the little man said testily. âDonât I have enough on my mind?â
Twelve minutes later the telephone rang. From the bed Dullman said, âYou can take it.â
âYes?â Scutney cried.
âWeâre taking,â Stoneâs bass said. âBut you understand, Mr. Bluefield, you got to clear this deal with Equity yourself before we lift a hoof.â
âYes, yes. First thing in the morning.â
âIâll be waiting for Equityâs go-ahead. Soon as I get it, Benedictâs on his way.â
âHold it,â Dullman said.
âHold it,â Scutney said.
Dullman got wearily off the bed, whispered something, and returned to the bed.
Scutney pursed his lips. âAccording to my information, Mr. Stone, Benedict might start out tomorrow for Wrightsville and wind up in a Montreal hotel room with some girl he picked up en route. Can you guarantee delivery?â
âWhatâs that sucker Dullman want, my blood? Iâll put him on the plane. Thatâs the best I can do.â
Scutney glanced anxiously at Dullman. Dullman shrugged.
âWell, all right, but please impress on Mr. Benedict â¦â
âYeah, yeah.â
âHeâll have to change planes in Boston, by the way. Thereâs no through flight. Iâll have a car waiting at Wrightsville Airport. If he makes an early enough connection we ought to be able to get in a quick run-through.â
âThatâs up to Equity. Like I said, he ainât moving a muscleââ
âLeave Equity to me. You just get Benedict here.â
âUp in his lines,â Dullman said.
âUp in his lines,â Scutney said, and he hung up. âArcher, that was an inspiration!â Dullman grunted. âRoger, would you run across the Square and ask the Record to hold the press? Iâll phone them the new copy for tomorrowâs ad in a few minutes.â
âYouâre dead set on going ahead with this?â Roger said, not moving.
âNow, Rodge,â Scutney said.
Dullman began to snore.
Ellery thought the whole performance extraordinary.
ACT I. Scene 4.
Ellery made his way around the Square and into Lower Main under a filthy sky.
It had been an exasperating day for Scutney Bluefield. The little man had been on the long-distance phone to Equity since early morning. By the time the details were straightened out to Equityâs satisfaction and Foster Benedict was airborne to Boston, he was on a schedule so tight that he could not hope to set down in Wrightsville before 7:55 P . M . This would give the actor barely enough time to make up, get into costume, and dash onstage for the 8:30 curtain.
Ellery walked into the lobby of the rejuvenated Bijou, pushed through one of the new black-patent leatherette doors, and entered Scutney Bluefieldâs Playhouse.
The elegantly done-over interior lay under a heavy hush. The cast, made up and in costume, were sitting about the nakedly lit