bald patch.
âWhatâs the right-hand side called,â asked Mr Browning, shifting his gaze to Mum in the bath.
âVenus Soaking Her Corns,â said Keith. âMumâs name is actually Marge, but the great painters of history usually called their lady nudes Venus. Or Mona.â
âHmmmm,â said Mr Browning. âI like the way youâve got the light falling across her shoulders like a cloak to remind us sheâs an historical figure.â
Keith nodded again and decided not to mention that it was actually a shower curtain heâd put in to hide Mumâs bad posture.
âAnd having her playing Monopoly in the bath,â said Mr Browning. âVery imaginative. Sheâs a real estate agent, is she?â
Keith shook his head. âParking inspector,â he said.
Mr Browning continued to look closely at Mum.
âIs that a phone numberâ he asked, âin soap suds, floating on the top of the water?â
Keith nodded and felt his heart speed up.
It was working.
Mr Browning was becoming fascinated by Mumâs finer qualities.
âSheâs good at Scrabble, too,â said Keith. âAnd cards.â
Then he remembered Mr Browning was married.
With triplets.
âBut she hasnât got very good feet,â Keith said hurriedly.
Mr Browning smiled and glanced around the hall.
âYouâd better lower your voice,â he said, âin case she hears you.â
âSheâs not here,â said Keith. âSheâs doing a late shift.â
âWell, your dad then,â said Mr Browning. âDonât want him hearing you bad-mouthing, your mum feet.
âMum and Dad are separated,â said Keith. âAnd Dadâs doing dinners at the cafe till nine.â
Mr Browning looked at the painting again, and then at Keith.
He seemed lost for words, which Keith hadnât ever seen before with Mr Browning.
He didnât even say âHmmmm.â
âWell done, Keith,â he said finally. âItâs a good effort. Keep it up. I hope you wonât stop painting just because termâs finished.â
Then he turned and went to look at another picture.
Keith pretended to go and look at another picture too.
Best not hang around mine, he thought. People get nervous copying down phone numbers from paintings when the artistâs standing there watching them.
He glanced around the hall.
They couldnât all be mums and dads.
There must be some single people.
Keith tried to work out which ones were unattached, separated, divorced, widowed, abandoned, or had partners in jail for life.
It wasnât easy.
Then, with a jolt, he realised some people were looking at his painting.
Two women by themselves and a man by himself.
Keith liked the look of all of them, and he knew Mum and Dad would too.
He strained to hear what they were saying.
âDodgy legs; said one of the women, pointing to Dad.
They both sniggered.
âHers arenât much better; said the man, pointing to Mum.
The three of them walked away laughing.
Tragic, thought Keith. Fancy thinking the most important thing about a person is whether the veins in their legs stick out a bit.
He looked around again.
The hall was even more crowded now.
People were arriving all the time.
Keith relaxed.
He could tell that lots of them were sensitive mature single people who knew that leg veins werenât really very important at all.
Keith lay in bed and stared into the darkness and tried to stop seeing leg veins.
He couldnât.
âDodgy legs,â said the school hall voices in his head.
And âYuk, look at that tummy.â
And âIâve seen better looking skin on a potato.â
And âWhoâs that in the bath, the Hunchback Of Notre Dame?â
And âFire! Fire!â
Keith smiled grimly in the darkness.
That would have shut them up.
If heâd ripped his painting off the wall and grabbed Mr