going to be pretty lonely. Charlie didnât have any real friends, and his parents arenât well enough to travel from Florida.â
âWe can even come back to the house afterward, if you think it would help.â
Viz nodded, then lowered his head, his unfocused eyes oblivious to his rotating hat.
âMakes you think, doesnât it?â
âAbout what?â
âAbout dying too soonââ Viz caught himself, flustered, eyes pained. His own words reminding him of the death of Gageâs father three months earlier. âSorry, I didnât mean . . .â
Gageâs mind pushed past the final memory of his father at the moment of his death to their last conversation a day earlier. Sitting by his bedside at the familyâs southern Arizona ranch, holding his hand as they gazed out the adobe-framed windows at the desert. His father, a family physician, had laughed about being paid in Yaqui corn, Apache chickens, and Mexican tamales in the years after World War II, cried about friends heâd lost in combat when he was young and to disease as he got older, and wondered aloud about the changes the world would see after he was gone.
âMy dad told me his only regret was that he wouldnât live long enough to see how everything turned out,â Gage said.
Viz pulled away and looked over at him. âBut nobody ever . . .â
Gage nodded. âI think thatâs why he had a little smile on his face when he said it.â
âBut thereâs a difference between your father and Charlie.â Vizâs voice rose, more in frustration than in argument. âA big difference.â He set down his hat on the step next to him, as if preparing to plead Palmerâs case. âYour dadâs life had a kind of completeness. Charlieâs was unfinished, and he didnât have a chance to make things right.â
âHe had lots of chances,â Gage said, âhe just never took them.â
They both knew it was worse than that, for the lens through which Palmer had chosen to view othersâ lives had filtered those chances out.
Even more, Palmerâs kind of life made his the kind of death that brought all his acts and deceits into the present, and into the space between the two of them sitting on these steps.
Palmer had spent his career as part of an underworld of lawyers and private investigatorsâas clandestine as a secret society and as public as a Hollywood celebrity trialâthat exploited victimsâ shames and terrors and forced them to choose silence over justice.
In the years after heâd left the San Francisco Police Department, Palmer had been the surreptitious hand that had tipped the scales in countless child custody hearings and divorce battles, in sexual harassment complaints, even in disputes over movie rights and royalties. Heâd been an expert in the art of leverage, in discovering the embarrassing lapse, the plagiarized high school term paper, the drunken confession on a defunct social networking site, the juvenile petty theft from Victoriaâs Secret, the videotaped ménage à cinq in a college dorm, the used condom in a Las Vegas hotel room, or the empty bottle of Prozac in an aging starâs garbage.
Heâd also been an expert at avoiding exposure; for those furious enough to expose him also had the most to lose.
And sitting there next to Viz, with him so desperate to redeem the unredeemable, it was unimaginable to Gage that Palmer had found the courage in his final moments to crawl out of the darkness and into a light that would transform his entombed past into a living legacy.
âItâs just hard to live with mixed feelings about dead people,â Viz said. âHe did a lot of bad stuff as a cop and an investigator, but he was also a brother-in-law who tried to do good for his kids.â He sighed. âThe truth is Iâm not sure they have a clue about who he really