in the parking lot waiting for Susan to come home that night, and scared at least two other witnesses away so they couldn't be found in time for the trial."
The pictures had been taken from different angles: one photo of them taken as they were coming out of some public building together, one taken when they were getting into a car, and one taken through the open side window as they pulled away. The men were all about thirty to forty, with short, well-barbered hair, all wearing suits. They looked like lawyers or business clients arriving for a case.
Jane watched them. They had already passed through the metal detectors to get in, so they couldn't be carrying guns. But they were moving against the crowd of jurors and lawyers departing for lunch, standing in front of the bank of elevators, and as each door opened to let jurors out, the three men moved a little closer to get in. There were six elevators on each side of the lobby. There was still a good chance that when James Shelby's elevator arrived they would be entering another one, or at least not looking in his direction.
Jane moved closer to them. This was developing into a situation where she might have to pay a high price for James Shelby. She had prepared herself for this possibility a long time ago, something that was implicit in the promise she made to her clients. If she was going to save innocent people from the enemies who wanted them dead, there would be times when she must fight.
She was close to the three men now, almost to their backs. The door of the elevator to their left opened and she saw James Shelby. He was in the middle of the crowded elevator, and as the door opened he spilled out with a dozen jurors, all pushing forward, weaving to get past the surge of people wanting to get in. A hand shot out as one of the men in front of her grabbed Shelby's arm, and Jane pushed off with her back foot to throw her body into the arm, wrenching the hand off Shelby. The man grunted in pain and surprise and half-turned to get a look at her over his shoulder, but she pivoted, her back to him and his companions as she moved toward the main exit. Ahead of her she saw Shelby heading across the lobby with the torrent of people.
"That's him!" the man yelled.
"What are you talking about" That seemed to be one of his companions.
"It's Shelby! He's leaving!"
The voices were behind her as she caught up with Shelby and pushed him out with the crowd into the narrower space at the glass doors.
"Stop him!" the man said. "It's him!"
Jane got Shelby out onto the sunken patio outside the entrance where the steps went up onto Broadway. "Go!" she said to him. "Just as we planned."
He looked at her in panic, but his legs took him up onto Broadway, and he kept going.
Jane planted herself at the foot of the steps. She reached into a pocket of her purse, took out a black elastic band, gathered her hair in a ponytail and slid the elastic over it, then tucked it under so the hair was tight to her head. She stood straight and held on to her purse.
The man who had grabbed Shelby had wasted fifteen seconds keeping his companions out of the elevator and another fifteen getting them to plow through the crowd and across the lobby. The people in the crowd were unwilling to let anyone push them aside to get out of the building ahead of them, so getting out took time and the three men weren't much faster than anyone else.
Jane felt the seconds passing. Shelby should spot the parked car soon. Within another minute or two he should get in, find the keys, start the engine. Next he would head for the freeway entrance. Maybe the crowd would delay the men long enough.
But the three men burst out the double doors. They had been craning their necks to see what went on through the glass while they fought their way to the exit, so they all dashed toward the steps where Shelby had escaped to the street. Jane knew Shelby was still not completely recovered from the stabbing two months ago, so he would
F. Paul Wilson, Alan M. Clark