THOUGHT ABOUT HOW BIG A coffin a six-foot-tall person needs. The lidâs open and I canât see him from our spot in the back, but I can feel his ghost. Since it happened, any room he was in was on fire. This oneâs barely smoking.
November slouches beside me, her earbuds twisted around her wrist. âYou okay?â
I make myself smile. âIâm always okay.â
She nods. âSo, Grace isnât . . .â
âNo, sheâs not coming.â
She nods again.
Above us, thereâs a dustless plaster Jesus on a glossy black cross, even though itâs a funeral home, not a church. Thereâs another service going on across the hall,smaller but with people crying louder. How many funerals does a town like Stanwick have per week? How often do people die?
I look around. Half the schoolâs here. Even Principal Eastman sits in front, tall and straight so people notice he came. Ms. Bell, a beaded black scarf around her neck, murmurs to Ben Stockholm, quick hands illustrating everything she says. Cassius is in the corner, hunched like somethingâs fighting its way out of his spine. I canât tell if I feel bad for him or if I want to yell at him.
And Mr. GordonâAdamâs dadâstands near the casket, fumbling to shake peopleâs hands as they greet him. His alcohol stink battles the smell of all the flowers, makes the hidden bottle in my pocket burn. His hair curls in gray waves under his cheekbones, skin too taut over a jawline that probably cut through hearts like butter when he was eighteen. Adam would have looked like him.
âI donât care how famous this song is,â Nov grunts. âItâs creepy how they keep playing it on repeat.â
Abe Gordon, Adamâs grandfather, sings over the speakers: âAnd Iâll carry you down to the quarry, once itâs dark and thereâs no point sayinâ sorry . . .â
Suddenly everyone is shuffling, taking their seats, and Mr. Gordon picks up the microphone.
âAdam was . . . my son.â Mr. Gordon strangles the mic. His voice filters through gravel. âAnd he was . . . his grandfatherâs grandson. Heâdâve made it as far as my father, thatâs the musical talent he had. . . .â
Parents have no idea how little they know about the people they gave life to.
âAdamââ And then Mr. Gordon shakes his head, takes a deep breath, and pukes. The mic broadcasts the sound, the smell hitting us all at once. He staggers. An Asian guy Iâve never seen beforeâhis hair gelled in short spikes and a T-shirt blazing orange underneath a too-small black vestâleaps up, catching Mr. Gordonâs elbow. I canât hear what the guy says as he quickly steers Mr. Gordon past us and out the door, but his toneâs low and comforting.
âJeeesus,â November mutters.
âWhoâs that guy?â I whisper. âWhyâs Mr. Gordon his responsibility?â
She shrugs.
Two funeral home employees clean up while Abe Gordon continues to sing about the quarry where the grandson he never met died. It used to be a love song, now itâs a dirge. Sweat laminates my shirt to my back. I want to take off my skin.
Thereâs whispers throughout the crowd. No one knows whatâs happening now. But then Cassius approaches the mic, his black eye puffed purple. The overhead lights wash out the paler parts of him. From here, itâs like someone splattered him with paint.
âWhatâs he doing?â November mumbles.
âI was Adamâs best friend. . . .â he starts.
Cassius is the school artist. Adam was the school musician. The sweet-voiced daydreamer and the smirkingasshole. I grip the minibottle in my pocket.
âAnd Iâm here to tell you he was a fucking prick.â
An audible gasp sounds. A new kind of silence washes over the room. My throat seals shut.
I should have been the one brave enough to say it.
Cassius stares
Kurt Vonnegut, Bryan Harnetiaux