down to the Masherâs hub is only a couple of meters from my home. At least if heâs looking out for me, Iâll come from the right direction. A few early risers might be mooching around inside their pods, but itâs too early to be outside and social. The hatch drops back into place and locks automatically, the seam between it and the path already fading as the gap is filled by the repair cells already growing.
Itâs cool, with a gentle breeze, and if I try hard enough I can imagine itâs the edge of Paris in late April. I keep my head down and look at the crystal beneath my feet. I think about when Pasha grew this path, when we debated the most efficient mechanisms to make it durable but not slippery when wet. I remember printing the lattice underneath that he used as a base to train the crystal and keep it exactly where we wanted it. I remember the arguments over the color it should be and that twat whose name I can never recall asking if we could engineer it to look like it was made of yellow bricks. I had to look that up on the cloud. He was a pop culture historian and that was his contribution to the colony aesthetic? Why did the Ringmaster approve his place on the ship?
And then I see it: the western gate. Nothing more than acouple of symbolic pillars designed by Pashaâs wife, Neela. I like her style; itâs simple and elegant. I helped her to print them, but she thought them up. She liked the freedom given by the fact that no one cared about them on that side of our settlement; it was the side farthest away from Godâs city.
Mack is standing there, the only other person out and about at this time, looking away from the colony. I can see the mountains in the distance and the vast plains between. The figure heâs watching is probably half a kilometer away, hunched over and moving slowly. The landscape is still relatively wild beyond the gate, with long grasslike plants.
âDo you know who it is?â I ask as I approach, more to signal that Iâm there than anything else.
âA man, in his early twenties or so,â he replies. âThe proximity alarm woke me up. I thought it was an animal.â
The man is staggering toward the colony. âIs he sick?â
âNo obvious symptoms. Look for yourself.â
I shake my head. âI disabled the zoom in my lens. It gives me migraines andââ
âHe must be from the others,â he says, not interested in me and my nervous babbling. âOne of their kids. He must have walked for weeks.â
My palms are slick with sweat and I want to go home. âWhat do you want me to do?â
He turns and looks at me for the first time, a slight twitch around his left eye indicating heâs switching to normal focal range. Heâs looking haggard with the stress of it all. Mack hates the unexpected almost as much as I do, but his clothes are smart, his black hair tidy and his beard neat. He has to present himself at his best, even when he thinks thereâs just an animal to scare off the boundary.
âDo you think we should shoot him?â he asks, looking down at the gun resting on his palm, like a child he was holding has just crapped in his hand.
âWhy are you asking me that? Why not Zara? Or Nabiha or Ben? Theyââ
âBecause you were there.â
I close my eyes and I think about the vase I left on top of the Masher. I think about whose printer is likely to break down next and remind myself not to mention that I knew it was going to happen; otherwiseâ
âRen. What if heâs here to ruin everything weâve done here?â
â
Weâve
done?â It comes out like a croak.
âYes,
we
.â His voice hardens. âShould I shoot him and make sure heââ
âOh for fuckâs sake, Mack, Iâm an engineer! Not your conscience!â
His mouth drops open at my outburst and I regret the words. He just doesnât want to be the only
Darrell Gurney, Ivan Misner