I heard Ransom’s name pronounced; and almost, but not quite, simultaneously I saw the thing I had feared so long to see. I heard Ransom’s name pronounced: but I should not like to say I heard a voice pronounce it. The sound was quite astonishingly unlike a voice. It was perfectly articulate: it was even, I suppose, rather beautiful. But it was, if you understand me, inorganic. We feel the difference between animal voices (including those of the human animal) and all other noises pretty clearly, I fancy, though it is hard to define. Blood and lungs and the warm, moist cavity of the mouth are somehow indicated in every Voice. Here they were not. The two syllables sounded more as if theywere played on an instrument than as if they were spoken: and yet they did not sound mechanical either. A machine is something we make out of natural materials; this was more as if rock or crystal or light had spoken of itself. And it went through me from chest to groin like the thrill that goes through you when you think you have lost your hold while climbing a cliff.
That was what I heard. What I saw was simply a very faint rod or pillar of light. I don’t think it made a circle of light either on the floor or the ceiling, but I am not sure of this. It certainly had very little power of illuminating its surroundings. So far, all is plain sailing. But it had two other characteristics which are less easy to grasp. One was its colour. Since I saw the thing I must obviously have seen it either white or coloured; but no efforts of my memory can conjure up the faintest image of what that colour was. I try blue, and gold, and violet, and red, but none of them will fit. How it is possible to have a visual experience which immediately and ever after becomes impossible to remember, I do not attempt to explain. The other was its angle. It was not at right angles to the floor. But as soon as I have said this, I hasten to add that this way of putting it is a later reconstruction. What one actually felt at the moment was that the column of light was vertical but the floor was not horizontal – the whole room seemed to have heeled over as if it were on board ship. The impression, however produced, was that this creature had reference to some horizontal, to some whole system of directions, based outside the Earth, and that its mere presence imposed that alien system on me and abolished the terrestrial horizontal.
I had no doubt at all that I was seeing an
eldil,
and little doubt that I was seeing the archon of Mars, theOyarsa of Malacandra. And now that the thing had happened I was no longer in a condition of abject panic. My sensations were, it is true, in some ways very unpleasant. The fact that it was quite obviously not organic – the knowledge that intelligence was somehow located in this homogeneous cylinder of light but not related to it as our consciousness is related to our brains and nerves – was profoundly disturbing. 1 It would not fit into our categories. The response which we ordinarily make to a living creature and that which we make to an inanimateobject were here both equally inappropriate. On the other hand, all those doubts which I had felt before I entered the cottage as to whether these creatures were friend or foe, and whether Ransom were a pioneer or a dupe, had for the moment vanished. My fear was now of another kind. I felt sure that the creature was what we call ‘good’, but I wasn’t sure whether I liked ‘goodness’ so much as I had supposed. This is a very terrible experience. As long as what you are afraid of is something evil, you may still hope that the good may come to your rescue. But suppose you struggle through to the good and find that is also dreadful? How if food itself turns out to be the very thing you can’t eat, and home the very place you can’t live, and your very comforter the person who makes you uncomfortable? Then, indeed, there is no rescue possible: the last card has been played. For a second
Terry Ravenscroft, Ravenscroft