Not Dead Enough Read Free

looked more like a mugger than a cop.
    Before Grace had a chance to say anything, the DS threw his arms around him, clutching him tightly, pressing his wet cheek against his friend’s face. ‘Roy, she’s thrown me out! Oh, God, man, she’s thrown me out!’
    Somehow, Grace manhandled him into the house, into the living room and on to the sofa. Sitting beside him and putting an arm around his massive shoulders, he said lamely, ‘Ari?’
    ‘She’s thrown me out.’
    ‘Thrown you out? What do you mean?’
    Glenn Branson leaned forward, elbows on the glass coffee table, and buried his face in his hands. ‘I can’t take this. Roy, you’ve got to help me. I can’t take this.’
    ‘Let me get you something. Whisky? Glass of wine? Coffee?’
    ‘I want Ari. I want Sammy. I want Remi.’ Then he lapsed into more deep, gulping sobs.
    For a moment, Grace stared at his goldfish. He watched Marlon drifting, taking a rare break from his globetrotting, mouth opening and shutting vacantly. He found his own mouth opening and shutting also. Then he got up, went out of the room, cracked open a bottle of Courvoisier that had been gathering dust in the cupboard under the stairs for years, poured some into a tumbler and thrust it into Glenn’s meaty hands. ‘Drink some of that,’ he said.
    The DS cradled the glass, peering into it in silence for some moments, as if searching for some message he was supposed to find written on the surface. Finally he took a small sip, followed immediately by a large gulp, then set the glass down, keeping his eyes gloomily fixed on it.
    ‘Talk to me,’ Grace said, staring at the motionless black and white image of Orson Welles and Joseph Cotten on the screen. ‘Tell me – tell me what’s happened?’
    Branson looked up and stared at the screen too. Then he mumbled, ‘It’s about loyalty, yeah? Friendship. Love. Betrayal.’
    ‘What do you mean?’
    ‘That movie,’ he rambled. ‘The Third Man. Carol Reed directed. The music. The zither. Gets me every time. Orson Welles peaked early, couldn’t ever repeat his early success, that was his tragedy. Poor bastard. Made some of the greatest movies of all times. But what do most people remember him for? The fat man who did the sherry commercials.’
    ‘I’m not totally on your bus,’ Grace said.
    ‘Domecq, I think it was. Domecq sherry. Maybe. Who cares?’ Glenn picked up his glass and drained it. ‘I’m driving. Screw that.’
    Grace waited patiently; there was no way he was letting Glenn drive anywhere. He’d never seen his friend in a state like this.
    Glenn held the glass up, almost without realizing.
    ‘You want some more?’
    Staring back down at the table, the DS replied, ‘Whatever.’
    Grace poured him four fingers. Just over two months ago, Glenn had been shot during a raid which Grace had organized – and which Grace had felt guilty as hell about ever since. The .38 bullet that hit the DS had, miraculously, done relatively little damage. Half an inch to the right and it would have been a very different story.
    Entering his abdomen low down beneath his ribcage, the low-velocity, round-nose bullet managed to just miss the spinal cord, the aorta, the inferior vena cava and ureters. It nicked part of his loops of bowel, which had needed to be surgically resected, and caused soft-tissue damage, mostly to his fat and muscle, which had also required surgery. He had been allowed home, after ten days in hospital, for a lengthy convalescence.
    At some point during every single day or night in the following two months, Grace had replayed the events of that raid. Over and over and over. Despite all the planning and precautions, it had gone badly wrong. None of his superiors had criticized him over it, but in his heart Grace felt guilty because a man under his command had been shot. And the fact that Branson was his best friend made it worse for him.
    What made it even worse still was that earlier, in the same operation, another of his